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显著模式的感知。

The perception of prominence patterns.

作者信息

Kohler Klaus J

机构信息

Institute of Phonetics and Digital Speech Processing, University of Kiel, Kiel, Germany.

出版信息

Phonetica. 2008;65(4):257-69. doi: 10.1159/000192795. Epub 2009 Feb 3.

Abstract

The term 'stress' is used to refer to the perceptual salience at certain places in strings of syllables, but it has several different referents: (a) relative syllable salience in an utterance; this is syllable-, not word-oriented; (b) stress in a word; this is part of the lexical phonology; (c) stressing of words in utterances for various aspects of propositional and expressive meaning, often called 'accent(uation)'. Referents b and c are word- and meaning-oriented. In this article, the terms are more stringently defined. 'Stress' is only used to refer to a lexical stress position (referent b), i.e. a syllable in a word that becomes the docking place for various types of 'accent' to weight words in utterances (referent c). 'Stress' has no physical attributes by itself. 'Prominence' refers to the patterns of salience in syllable strings (referent a). The article reports results of an experiment in prominence perception of the logatome baba, in which the physical parameters F0, syllabic duration, and overall acoustic energy were systematically varied across the bisyllable. Sixteen German subjects had to indicate, by pressing buttons of a computerized reaction time device, whether the first or the second syllable was more prominent. F(0) was a more powerful cue than the other two. Equal syllable duration on a monotone resulted in more first-syllable judgements, which could be counteracted by a slightly falling F(0) contour on the second syllable to reach equal response frequencies for the two syllables. This ties in with Lehiste's earlier findings that F(0) movement increases the perception of duration. Extrapolating from the results, a research programme for prominence perception is developed that will eventually shed new light on the investigation into the nature and manifestation of speech rhythm.

摘要

“重音”一词用于指音节串中某些位置上的感知显著性,但它有几个不同的所指:(a)话语中相对的音节显著性;这是以音节而非单词为导向的;(b)单词中的重音;这是词汇音系学的一部分;(c)为了命题意义和表达意义的各个方面而在话语中对单词进行重读,通常称为“重音(法)”。所指b和c是以单词和意义为导向的。在本文中,这些术语有更严格的定义。“重音”仅用于指词汇重音位置(所指b),即单词中的一个音节,它成为各种“重音”类型在话语中对单词进行加权的停靠位置(所指c)。“重音”本身没有物理属性。“突显”指音节串中的显著性模式(所指a)。本文报告了一项关于“baba”音组突显感知的实验结果,在该实验中,双音节词的物理参数基频(F0)、音节时长和整体声能被系统地改变。16名德国受试者必须通过按下计算机化反应时间设备的按钮来指出第一个音节还是第二个音节更突显。F0是比其他两个更有力的线索。单调音节时长相等时,更多人判断第一个音节更突显,而第二个音节上稍微下降的F0轮廓可以抵消这种情况,以使两个音节的反应频率相等。这与莱希斯特早期的研究结果相符,即F0的变化会增加时长感知。从这些结果推断,制定了一个关于突显感知的研究计划,该计划最终将为语音节奏的本质和表现形式的研究带来新的启示。

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