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复制与绘画中的分割与准确性:专家与初学者

Segmentation and accuracy in copying and drawing: experts and beginners.

作者信息

Tchalenko John

机构信息

Camberwell College of Arts, University of the Arts London, 30 Therapia Road, London SE22 0SE, United Kingdom.

出版信息

Vision Res. 2009 Mar;49(8):791-800. doi: 10.1016/j.visres.2009.02.012. Epub 2009 Mar 3.

Abstract

As part of an ongoing investigation into real-world copying and drawing, I recorded the eye-hand drawing strategies of 16 subjects with drawing experiences ranging from expert to novice while they copied a line drawing of a standing nude. The experts produced accurate copies whereas all the beginners produced marked inaccuracies of overall scaling, proportion and shape. Analysis of eye and hand movements showed that the experts alone segmented the original drawing into simple line sections that were copied one at a time using a direct eye-hand strategy not requiring intermediary encoding to visual memory. The results suggest that segmentation into simple lines defines the task-specific process of accurate copying, and that this process is restricted to experts, i.e. acquired through training and practice. Additional preliminary tests also suggest that a similar process may apply to drawing a model from life.

摘要

作为正在进行的关于现实世界中临摹与绘画的调查的一部分,我记录了16名绘画经验从专家到新手不等的受试者在临摹一幅站立裸体的线条画时的眼手绘画策略。专家们能做出准确的临摹,而所有初学者在整体缩放、比例和形状上都出现了明显的不准确。对眼动和手动的分析表明,只有专家们将原始画作分割成简单的线条部分,然后使用一种不需要中间视觉记忆编码的直接眼手策略,一次复制一个部分。结果表明,分割成简单线条定义了准确临摹的特定任务过程,并且这个过程仅限于专家,即通过训练和练习获得。额外的初步测试还表明,类似的过程可能适用于写生绘画。

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