Perdreau Florian, Cavanagh Patrick
Laboratoire Psychologie de la Perception, Université Paris Descartes, Sorbonne Paris Cité, Paris, France; CNRS UMR 8158, Paris, France; e-mail:
Iperception. 2013 Aug 7;4(6):380-95. doi: 10.1068/i0574. eCollection 2013.
Over their careers, figurative artists spend thousands of hours analyzing objects and scene layout. We examined what impact this extensive training has on the ability to encode complex scenes, comparing participants with a wide range of training and drawing skills on a possible versus impossible objects task. We used a gaze-contingent display to control the amount of information the participants could sample on each fixation either from central or peripheral visual field. Test objects were displayed and participants reported, as quickly as possible, whether the object was structurally possible or not. Our results show that when viewing the image through a small central window, performance improved with the years of training, and to a lesser extent with the level of skill. This suggests that the extensive training itself confers an advantage for integrating object structure into more robust object descriptions.
在其职业生涯中,具象派艺术家花费数千小时分析物体和场景布局。我们研究了这种广泛训练对编码复杂场景能力的影响,在一项关于可能与不可能物体的任务中,比较了具有广泛训练和绘画技能的参与者。我们使用了注视相关显示来控制参与者在每次注视时从中央或周边视野中能够采样的信息量。展示测试物体,参与者尽快报告该物体在结构上是否可能。我们的结果表明,当通过一个小的中央窗口查看图像时,表现随着训练年限的增加而提高,且在较小程度上随着技能水平提高。这表明广泛的训练本身为将物体结构整合到更可靠的物体描述中赋予了优势。