Bernardi Luciano, Porta Cesare, Casucci Gaia, Balsamo Rossella, Bernardi Nicolò F, Fogari Roberto, Sleight Peter
Department of Internal Medicine, Pavia University and IRCCS S. Matteo, Pavia, Italy.
Circulation. 2009 Jun 30;119(25):3171-80. doi: 10.1161/circulationaha.108.806174.
Reactions to music are considered subjective, but previous studies suggested that cardiorespiratory variables increase with faster tempo independent of individual preference. We tested whether compositions characterized by variable emphasis could produce parallel instantaneous cardiovascular/respiratory responses and whether these changes mirrored music profiles.
Twenty-four young healthy subjects, 12 musicians (choristers) and 12 nonmusician control subjects, listened (in random order) to music with vocal (Puccini's "Turandot") or orchestral (Beethoven's 9th Symphony adagio) progressive crescendos, more uniform emphasis (Bach cantata), 10-second period (ie, similar to Mayer waves) rhythmic phrases (Giuseppe Verdi's arias "Va pensiero" and "Libiam nei lieti calici"), or silence while heart rate, respiration, blood pressures, middle cerebral artery flow velocity, and skin vasomotion were recorded.Common responses were recognized by averaging instantaneous cardiorespiratory responses regressed against changes in music profiles and by coherence analysis during rhythmic phrases. Vocal and orchestral crescendos produced significant (P=0.05 or better) correlations between cardiovascular or respiratory signals and music profile, particularly skin vasoconstriction and blood pressures, proportional to crescendo, in contrast to uniform emphasis, which induced skin vasodilation and reduction in blood pressures. Correlations were significant both in individual and group-averaged signals. Phrases at 10-second periods by Verdi entrained the cardiovascular autonomic variables. No qualitative differences in recorded measurements were seen between musicians and nonmusicians.
Music emphasis and rhythmic phrases are tracked consistently by physiological variables. Autonomic responses are synchronized with music, which might therefore convey emotions through autonomic arousal during crescendos or rhythmic phrases.
对音乐的反应被认为是主观的,但先前的研究表明,无论个人喜好如何,随着节奏加快,心肺变量会增加。我们测试了以可变重音为特征的乐曲是否能产生平行的即时心血管/呼吸反应,以及这些变化是否反映了音乐特征。
24名年轻健康受试者,12名音乐家(合唱队员)和12名非音乐家对照受试者,随机顺序聆听有歌声(普契尼的《图兰朵》)或管弦乐(贝多芬第九交响曲柔板)的渐进渐强、更均匀重音(巴赫康塔塔)、10秒时段(即类似于迈尔波)的节奏乐句(朱塞佩·威尔第的咏叹调《飞吧,思想》和《让我们高举起欢乐的酒杯》)或静音,同时记录心率、呼吸、血压、大脑中动脉血流速度和皮肤血管运动。通过对与音乐特征变化回归的即时心肺反应进行平均以及在节奏乐句期间进行相干分析来识别共同反应。歌声和管弦乐渐强在心血管或呼吸信号与音乐特征之间产生了显著(P=0.05或更佳)的相关性,特别是皮肤血管收缩和血压,与渐强成正比,而均匀重音则导致皮肤血管舒张和血压降低。个体和组平均信号中的相关性均显著。威尔第的10秒时段乐句使心血管自主变量同步。音乐家和非音乐家在记录测量中未观察到定性差异。
生理变量始终跟踪音乐重音和节奏乐句。自主反应与音乐同步,因此音乐可能在渐强或节奏乐句期间通过自主唤醒传达情感。