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面部并非空白画布:面部表情与面部外观如何相互作用。

The face is not an empty canvas: how facial expressions interact with facial appearance.

机构信息

Department of Psychology, University of Quebec at Montreal, Montreal, Quebec, Canada.

出版信息

Philos Trans R Soc Lond B Biol Sci. 2009 Dec 12;364(1535):3497-504. doi: 10.1098/rstb.2009.0165.

Abstract

Faces are not simply blank canvases upon which facial expressions write their emotional messages. In fact, facial appearance and facial movement are both important social signalling systems in their own right. We here provide multiple lines of evidence for the notion that the social signals derived from facial appearance on the one hand and facial movement on the other interact in a complex manner, sometimes reinforcing and sometimes contradicting one another. Faces provide information on who a person is. Sex, age, ethnicity, personality and other characteristics that can define a person and the social group the person belongs to can all be derived from the face alone. The present article argues that faces interact with the perception of emotion expressions because this information informs a decoder's expectations regarding an expresser's probable emotional reactions. Facial appearance also interacts more directly with the interpretation of facial movement because some of the features that are used to derive personality or sex information are also features that closely resemble certain emotional expressions, thereby enhancing or diluting the perceived strength of particular expressions.

摘要

脸并不是简单的空白画布,表情在上面书写着情感信息。事实上,面部外观和面部运动本身就是重要的社交信号系统。我们在这里提供了多条证据,证明一方面来自面部外观的社交信号和另一方面来自面部运动的社交信号以复杂的方式相互作用,有时相互加强,有时相互矛盾。脸提供了关于一个人的身份信息。性别、年龄、种族、个性和其他可以定义一个人的特征以及这个人所属的社会群体,都可以仅从面部获得。本文认为,脸与情感表达的感知相互作用,因为这些信息为解码器提供了关于表达者可能的情绪反应的预期。面部外观也与对面部运动的解释更直接地相互作用,因为用于推断个性或性别的一些特征也是与某些情感表达非常相似的特征,从而增强或淡化特定表情的感知强度。

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