Furuya Shinichi, Goda Tatsushi, Katayose Haruhiro, Miwa Hiroyoshi, Nagata Noriko
School of Science and Technology, Kwansei Gakuin University Hyogo, Japan.
Front Hum Neurosci. 2011 May 27;5:50. doi: 10.3389/fnhum.2011.00050. eCollection 2011.
Musical performance requires motor skills to coordinate the movements of multiple joints in the hand and arm over a wide range of tempi. However, it is unclear whether the coordination of movement across joints would differ for musicians with different skill levels and how inter-joint coordination would vary in relation to music tempo. The present study addresses these issues by examining the kinematics and muscular activity of the hand and arm movements of professional and amateur pianists who strike two keys alternately with the thumb and little finger at various tempi. The professionals produced a smaller flexion velocity at the thumb and little finger and greater elbow pronation and supination velocity than did the amateurs. The experts also showed smaller extension angles at the metacarpo-phalangeal joint of the index and middle fingers, which were not being used to strike the keys. Furthermore, muscular activity in the extrinsic finger muscles was smaller for the experts than for the amateurs. These findings indicate that pianists with superior skill reduce the finger muscle load during keystrokes by taking advantage of differences in proximal joint motion and hand postural configuration. With an increase in tempo, the experts showed larger and smaller increases in elbow velocity and finger muscle co-activation, respectively, compared to the amateurs, highlighting skill level-dependent differences in movement strategies for tempo adjustment. Finally, when striking as fast as possible, individual differences in the striking tempo among players were explained by their elbow velocities but not by their digit velocities. These findings suggest that pianists who are capable of faster keystrokes benefit more from proximal joint motion than do pianists who are not capable of faster keystrokes. The distinct movement strategy for tempo adjustment in pianists with superior skill would therefore ensure a wider range of musical expression.
音乐表演需要运动技能来协调手部和手臂多个关节在广泛的节奏范围内的运动。然而,不同技能水平的音乐家在关节间运动的协调上是否存在差异,以及关节间协调如何随音乐节奏变化尚不清楚。本研究通过检查专业和业余钢琴家在不同节奏下用拇指和小指交替敲击两个琴键时手部和手臂运动的运动学和肌肉活动来解决这些问题。与业余者相比,专业者在拇指和小指处产生的屈曲速度更小,而肘部的旋前和旋后速度更大。专家们在未用于敲击琴键的食指和中指的掌指关节处也表现出更小的伸展角度。此外,专家的外在手指肌肉的肌肉活动比业余者更小。这些发现表明,技能卓越的钢琴家通过利用近端关节运动和手部姿势配置的差异,在按键时减少了手指肌肉的负荷。随着节奏加快,与业余者相比,专家们分别在肘部速度和手指肌肉共同激活方面表现出更大和更小的增加,突出了节奏调整运动策略中技能水平相关的差异。最后,在尽可能快地敲击时,演奏者之间敲击节奏的个体差异可以通过他们的肘部速度而非手指速度来解释。这些发现表明,能够更快按键的钢琴家比不能更快按键的钢琴家从近端关节运动中获益更多。因此,技能卓越的钢琴家在节奏调整方面独特的运动策略将确保更广泛的音乐表现力。