• 文献检索
  • 文档翻译
  • 深度研究
  • 学术资讯
  • Suppr Zotero 插件Zotero 插件
  • 邀请有礼
  • 套餐&价格
  • 历史记录
应用&插件
Suppr Zotero 插件Zotero 插件浏览器插件Mac 客户端Windows 客户端微信小程序
定价
高级版会员购买积分包购买API积分包
服务
文献检索文档翻译深度研究API 文档MCP 服务
关于我们
关于 Suppr公司介绍联系我们用户协议隐私条款
关注我们

Suppr 超能文献

核心技术专利:CN118964589B侵权必究
粤ICP备2023148730 号-1Suppr @ 2026

文献检索

告别复杂PubMed语法,用中文像聊天一样搜索,搜遍4000万医学文献。AI智能推荐,让科研检索更轻松。

立即免费搜索

文件翻译

保留排版,准确专业,支持PDF/Word/PPT等文件格式,支持 12+语言互译。

免费翻译文档

深度研究

AI帮你快速写综述,25分钟生成高质量综述,智能提取关键信息,辅助科研写作。

立即免费体验

布拉德肖岩画中的图像志:打破循环性。

Iconography in Bradshaw rock art: breaking the circularity.

作者信息

Pettigrew Jack

机构信息

School of Biomedical Sciences and Queensland Brain Institute, University of Queensland, Brisbane, Australia.

出版信息

Clin Exp Optom. 2011 Sep;94(5):403-17. doi: 10.1111/j.1444-0938.2011.00648.x.

DOI:10.1111/j.1444-0938.2011.00648.x
PMID:21884255
Abstract

BACKGROUND

Interpreting the symbols found in the rock art of an extinct culture is hampered by the fact that such symbols are culturally determined. How does one break the circularity inherent in the fact that the knowledge of both the symbols and the culture comes from the same source? In this study, the circularity is broken for the Bradshaw rock art of the Kimberley by seeking anchors from outside the culture.

METHODS

Bradshaw rock art in the Kimberley region of Australia and Sandawe rock art in the Kolo region of Eastern Tanzania were surveyed in six visits on foot, by vehicle, by helicopter and from published or shared images, as well as from the published and online images of Khoisan rock art.

RESULTS

Uniquely shared images between Bradshaw and Sandawe art, such as the 'mushroom head' symbol of psilocybin use, link the two cultures and indicate that they were shamanistic. Therefore, many mysterious features in the art can be understood in terms of trance visualisations. A number of other features uniquely link Bradshaw and Sandawe cultures, such as a special affinity for small mammals. There are also many references to baobabs in early Bradshaw art but not later. This can be explained in the context of the Toba super-volcano, the likely human transport of baobabs to the Kimberley and the extraordinary utility of the baobab.

CONCLUSION

Many more mysterious symbols in Bradshaw rock art might await interpretation using the approaches adopted here.

摘要

背景

解读已灭绝文化的岩石艺术中发现的符号受到这样一个事实的阻碍,即这些符号是由文化决定的。鉴于符号和文化的知识都来自同一来源,如何打破这种固有的循环性呢?在本研究中,通过从该文化外部寻找锚点,打破了金伯利地区布拉德肖岩石艺术的循环性。

方法

对澳大利亚金伯利地区的布拉德肖岩石艺术和坦桑尼亚东部科洛地区的桑达韦岩石艺术进行了六次实地考察,考察方式包括徒步、乘车、乘直升机以及通过已发表或共享的图像,还有科伊桑岩石艺术的已发表和在线图像。

结果

布拉德肖艺术和桑达韦艺术之间独特共享的图像,比如使用裸盖菇素的“蘑菇头”符号,将这两种文化联系起来,并表明它们具有萨满教性质。因此,艺术中的许多神秘特征可以从恍惚幻觉的角度来理解。还有一些其他特征独特地将布拉德肖文化和桑达韦文化联系起来,比如对小型哺乳动物的特殊喜爱。早期的布拉德肖艺术中有许多关于猴面包树的描绘,但后期没有。这可以在托巴超级火山的背景下得到解释,猴面包树可能是人类带到金伯利地区的,而且猴面包树具有非凡的用途。

结论

布拉德肖岩石艺术中可能还有更多神秘符号有待用这里采用的方法来解读。

相似文献

1
Iconography in Bradshaw rock art: breaking the circularity.布拉德肖岩画中的图像志:打破循环性。
Clin Exp Optom. 2011 Sep;94(5):403-17. doi: 10.1111/j.1444-0938.2011.00648.x.
2
Australia's mysterious rock paintings.澳大利亚神秘的岩画。
J Comp Neurol. 2020 Dec 1;528(17):2800-2803. doi: 10.1002/cne.24912. Epub 2020 Jun 5.
3
Plant hallucinogens, sexuality and shamanism in the ceramic art of ancient Peru.
J Psychoactive Drugs. 1982 Jan-Jun;14(1-2):81-90. doi: 10.1080/02791072.1982.10471915.
4
Into the Past: A Step Towards a Robust Kimberley Rock Art Chronology.走进过去:迈向完善的金伯利岩画年表的一步。
PLoS One. 2016 Aug 31;11(8):e0161726. doi: 10.1371/journal.pone.0161726. eCollection 2016.
5
[Study on Shamanistic healing art of Mongolian nationality].[蒙古族萨满教治疗术研究]
Zhonghua Yi Shi Za Zhi. 1999 Jan;29(1):53-5.
6
The hallucinogenic basis of early Valdivia phase ceramic bowl iconography.早期瓦尔迪维亚阶段陶瓷碗图像学的致幻基础。
J Psychoactive Drugs. 1985 Apr-Jun;17(2):105-23. doi: 10.1080/02791072.1985.10472329.
7
Archaeology and art in context: Excavations at the Gunu Site Complex, Northwest Kimberley, Western Australia.语境中的考古学与艺术:西澳大利亚金伯利西北部贡努遗址群的发掘。
PLoS One. 2020 Feb 5;15(2):e0226628. doi: 10.1371/journal.pone.0226628. eCollection 2020.
8
Early human symbolic behavior in the Late Pleistocene of Wallacea.华莱士晚更新世的早期人类象征性行为。
Proc Natl Acad Sci U S A. 2017 Apr 18;114(16):4105-4110. doi: 10.1073/pnas.1619013114. Epub 2017 Apr 3.
9
North American Indian rock art and hallucinogenic drugs.北美印第安岩石艺术与致幻药物。
JAMA. 1978 Apr 14;239(15):1524-7.
10
quids at Pinwheel Cave, California, provide unambiguous confirmation of the ingestion of hallucinogens at a rock art site.加利福尼亚州皮-wheel 洞穴中的 quids 为在一个岩画遗址摄入迷幻剂提供了明确的证据。
Proc Natl Acad Sci U S A. 2020 Dec 8;117(49):31026-31037. doi: 10.1073/pnas.2014529117. Epub 2020 Nov 23.

引用本文的文献

1
Bridging the gap with bacterial art.用细菌艺术弥合差距。
FEMS Microbiol Lett. 2023 Jan 17;370. doi: 10.1093/femsle/fnad025.
2
quids at Pinwheel Cave, California, provide unambiguous confirmation of the ingestion of hallucinogens at a rock art site.加利福尼亚州皮-wheel 洞穴中的 quids 为在一个岩画遗址摄入迷幻剂提供了明确的证据。
Proc Natl Acad Sci U S A. 2020 Dec 8;117(49):31026-31037. doi: 10.1073/pnas.2014529117. Epub 2020 Nov 23.
3
Psychedelics.迷幻剂
Pharmacol Rev. 2016 Apr;68(2):264-355. doi: 10.1124/pr.115.011478.
4
New genetic and linguistic analyses show ancient human influence on baobab evolution and distribution in Australia.新的基因和语言分析表明,古代人类对澳大利亚猴面包树的进化和分布产生了影响。
PLoS One. 2015 Apr 1;10(4):e0119758. doi: 10.1371/journal.pone.0119758. eCollection 2015.