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语境中的考古学与艺术:西澳大利亚金伯利西北部贡努遗址群的发掘。

Archaeology and art in context: Excavations at the Gunu Site Complex, Northwest Kimberley, Western Australia.

机构信息

Archaeology and Palaeoanthropology, University of New England, Armidale, New South Wales, Australia.

Stone Tools and Cognition Research Hub, University of New England, Armidale, New South Wales, Australia.

出版信息

PLoS One. 2020 Feb 5;15(2):e0226628. doi: 10.1371/journal.pone.0226628. eCollection 2020.

Abstract

The Kimberley region of Western Australia is one of the largest and most diverse rock art provenances in the world, with a complex stylistic sequence spanning at least 16 ka, culminating in the modern art-making of the Wunumbal people. The Gunu Site Complex, in the remote Mitchell River region of the northwest Kimberley, is one of many local expressions of the Kimberley rock art sequence. Here we report excavations at two sites in this complex: Gunu Rock, a sand sheet adjacent to rock art panels; and Gunu Cave, a floor deposit within an extensive rockshelter. Excavations at Gunu Rock provide evidence for two phases of occupation, the first from 7-8 to 2.7 ka, and the second from 1064 cal BP. Excavations at Gunu Rock provide evidence for occupation from the end of the second phase to the recent past. Stone for tools in the early phase were procured from a variety of sources, but quartz crystal reduction dominated the second occupation phase. Small quartz crystals were reduced by freehand percussion to provide small flake tools and blanks for manufacturing small points called nguni by the Wunambal people today. Quartz crystals were prominent in historic ritual practices associated with the Wanjina belief system. Complex methods of making bifacially-thinned and pressure flaked quartzite projectile points emerged after 2.7 ka. Ochre pigments were common in both occupation phases, but evidence for occupation contemporaneous with the putative age of the oldest rock art styles was not discovered in the excavations. Our results show that developing a complete understanding of rock art production and local occupation patterns requires paired excavations inside and outside of the rockshelters that dominate the Kimberley.

摘要

西澳大利亚州的金伯利地区是世界上最大、最多样化的岩画产地之一,拥有至少 16000 年的复杂风格序列,最终达到了万纳姆巴尔人的现代艺术创作水平。古努遗址群位于金伯利西北部偏远的米切尔河地区,是金伯利岩画序列的众多本地表现形式之一。在这里,我们报告了该遗址群内两个地点的发掘情况:古努岩,是紧邻岩画面板的沙质覆盖层;以及古努洞,是一个广泛的洞穴内的地层沉积物。古努岩的发掘提供了两个时期居住的证据,第一个时期是从 7-8 到 2700 年前,第二个时期是从 1064 年前至今。古努岩的发掘提供了从第二个时期结束到最近的居住证据。早期阶段的工具石料来自各种来源,但石英晶体减少在第二个时期占主导地位。小的石英晶体通过徒手打击减少,提供了小的薄片工具和空白,用于制造万纳姆巴尔人今天所称的 nguni 小点。石英晶体在与万贾纳信仰体系相关的历史仪式实践中很突出。双面变薄和压力剥落的石英质石质投射点的复杂制作方法在 2700 年后出现。两种居住阶段都有赤铁矿颜料,但在发掘中没有发现与最古老的岩画风格假定年代同时期的居住证据。我们的结果表明,要全面了解岩画的制作和当地的居住模式,需要在主导金伯利地区的洞穴内外进行配对发掘。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/19dc/7001911/3946a9988c70/pone.0226628.g001.jpg

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