Brattico Elvira, Alluri Vinoo, Bogert Brigitte, Jacobsen Thomas, Vartiainen Nuutti, Nieminen Sirke, Tervaniemi Mari
Cognitive Brain Research Unit, Institute of Behavioral Sciences, University of Helsinki Helsinki, Finland.
Front Psychol. 2011 Dec 1;2:308. doi: 10.3389/fpsyg.2011.00308. eCollection 2011.
Musical emotions, such as happiness and sadness, have been investigated using instrumental music devoid of linguistic content. However, pop and rock, the most common musical genres, utilize lyrics for conveying emotions. Using participants' self-selected musical excerpts, we studied their behavior and brain responses to elucidate how lyrics interact with musical emotion processing, as reflected by emotion recognition and activation of limbic areas involved in affective experience. We extracted samples from subjects' selections of sad and happy pieces and sorted them according to the presence of lyrics. Acoustic feature analysis showed that music with lyrics differed from music without lyrics in spectral centroid, a feature related to perceptual brightness, whereas sad music with lyrics did not diverge from happy music without lyrics, indicating the role of other factors in emotion classification. Behavioral ratings revealed that happy music without lyrics induced stronger positive emotions than happy music with lyrics. We also acquired functional magnetic resonance imaging data while subjects performed affective tasks regarding the music. First, using ecological and acoustically variable stimuli, we broadened previous findings about the brain processing of musical emotions and of songs versus instrumental music. Additionally, contrasts between sad music with versus without lyrics recruited the parahippocampal gyrus, the amygdala, the claustrum, the putamen, the precentral gyrus, the medial and inferior frontal gyri (including Broca's area), and the auditory cortex, while the reverse contrast produced no activations. Happy music without lyrics activated structures of the limbic system and the right pars opercularis of the inferior frontal gyrus, whereas auditory regions alone responded to happy music with lyrics. These findings point to the role of acoustic cues for the experience of happiness in music and to the importance of lyrics for sad musical emotions.
人们已使用没有语言内容的器乐对诸如快乐和悲伤等音乐情感进行了研究。然而,流行音乐和摇滚音乐作为最常见的音乐类型,利用歌词来传达情感。我们让参与者自选音乐片段,研究他们的行为和大脑反应,以阐明歌词如何与音乐情感处理相互作用,这通过情感识别以及参与情感体验的边缘区域的激活来体现。我们从受试者所选的悲伤和快乐音乐片段中提取样本,并根据歌词的有无进行分类。声学特征分析表明,有歌词的音乐与无歌词的音乐在频谱质心方面存在差异,频谱质心是一个与感知亮度相关的特征,而有歌词的悲伤音乐与无歌词的快乐音乐并无差异,这表明其他因素在情感分类中的作用。行为评分显示,无歌词的快乐音乐比有歌词的快乐音乐引发更强烈的积极情绪。我们还在受试者执行与音乐相关的情感任务时获取了功能磁共振成像数据。首先,使用生态且声学上可变的刺激,我们扩展了先前关于大脑对音乐情感以及歌曲与器乐处理的研究结果。此外,有歌词与无歌词的悲伤音乐之间的对比激活了海马旁回、杏仁核、屏状核、壳核、中央前回、额中回和额下回(包括布洛卡区)以及听觉皮层,而相反的对比则未产生激活。无歌词的快乐音乐激活了边缘系统结构以及额下回的右侧 opercular 部,而仅有听觉区域对有歌词的快乐音乐做出反应。这些发现指出了声学线索在音乐中快乐体验中的作用以及歌词对悲伤音乐情感的重要性。