Department of Brain and Cognitive Sciences, MIT, Cambridge, MA, USA.
J Neurophysiol. 2012 Dec;108(12):3289-300. doi: 10.1152/jn.00209.2012. Epub 2012 Sep 26.
Evidence from brain-damaged patients suggests that regions in the temporal lobes, distinct from those engaged in lower-level auditory analysis, process the pitch and rhythmic structure in music. In contrast, neuroimaging studies targeting the representation of music structure have primarily implicated regions in the inferior frontal cortices. Combining individual-subject fMRI analyses with a scrambling method that manipulated musical structure, we provide evidence of brain regions sensitive to musical structure bilaterally in the temporal lobes, thus reconciling the neuroimaging and patient findings. We further show that these regions are sensitive to the scrambling of both pitch and rhythmic structure but are insensitive to high-level linguistic structure. Our results suggest the existence of brain regions with representations of musical structure that are distinct from high-level linguistic representations and lower-level acoustic representations. These regions provide targets for future research investigating possible neural specialization for music or its associated mental processes.
来自脑损伤患者的证据表明,颞叶中与低级听觉分析不同的区域处理音乐的音高和节奏结构。相比之下,针对音乐结构表现的神经影像学研究主要涉及下额叶皮质的区域。通过将个体受试者的 fMRI 分析与一种操纵音乐结构的乱序方法相结合,我们提供了双侧颞叶中对音乐结构敏感的脑区的证据,从而调和了神经影像学和患者发现。我们进一步表明,这些区域对音高和节奏结构的乱序敏感,但对高级语言结构不敏感。我们的研究结果表明,存在对音乐结构具有代表性的脑区,这些脑区与高级语言表征和低级声学表征不同。这些区域为未来研究音乐或其相关心理过程可能存在的神经专门化提供了目标。