Human Information Science Laboratory, NTT Communication Science Laboratories Atsugi, Japan.
Front Psychol. 2013 Apr 24;4:189. doi: 10.3389/fpsyg.2013.00189. eCollection 2013.
It has now been well established that the point of subjective synchrony for audio and visual events can be shifted following exposure to asynchronous audio-visual presentations, an effect often referred to as temporal recalibration. Recently it was further demonstrated that it is possible to concurrently maintain two such recalibrated estimates of audio-visual temporal synchrony. However, it remains unclear precisely what defines a given audio-visual pair such that it is possible to maintain a temporal relationship distinct from other pairs. It has been suggested that spatial separation of the different audio-visual pairs is necessary to achieve multiple distinct audio-visual synchrony estimates. Here we investigated if this is necessarily true. Specifically, we examined whether it is possible to obtain two distinct temporal recalibrations for stimuli that differed only in featural content. Using both complex (audio visual speech; see Experiment 1) and simple stimuli (high and low pitch audio matched with either vertically or horizontally oriented Gabors; see Experiment 2) we found concurrent, and opposite, recalibrations despite there being no spatial difference in presentation location at any point throughout the experiment. This result supports the notion that the content of an audio-visual pair alone can be used to constrain distinct audio-visual synchrony estimates regardless of spatial overlap.
现在已经充分证实,在暴露于异步视听呈现后,视听事件的主观同步点可以移动,这种效应通常被称为时间校准。最近进一步证明,有可能同时保持对视听时间同步的两个这样的重新校准估计。然而,目前尚不清楚是什么确切地定义了给定的视听对,使得有可能保持与其他对不同的时间关系。有人认为,不同视听对的空间分离是实现多个不同视听同步估计的必要条件。在这里,我们研究了这是否是必要的。具体来说,我们检查了对于仅在特征内容上不同的刺激,是否有可能获得两个不同的时间校准。我们使用复杂的(视听语音;见实验 1)和简单的刺激(高和低音与垂直或水平方向的 Gabor 匹配;见实验 2),尽管在整个实验过程中呈现位置在任何时候都没有空间差异,但我们发现了同时发生的、相反的校准。这一结果支持了这样一种观点,即仅视听对的内容就可以用来限制不同的视听同步估计,而不管空间重叠如何。