Department of Exercise and Sport Sciences, University of Copenhagen, and.
J Appl Physiol (1985). 2013 Oct 1;115(7):1075-81. doi: 10.1152/japplphysiol.00707.2012. Epub 2013 Jul 18.
Optimization of cocontraction of antagonistic muscles around the ankle joint has been shown to involve plastic changes in spinal and cortical neural circuitries. Such changes may explain the ability of elite ballet dancers to maintain a steady balance during various ballet postures. Here we investigated whether short-term cocontraction training in ballet dancers and nondancers leads to changes in the coupling between antagonistic ankle motor units. Eleven ballet dancers and 10 nondancers were recruited for the study. Prior to training, ballet dancers and nondancers showed an equal amount of coherence in the 15- to 35-Hz frequency band and short-term synchronization between antagonistic tibialis anterior and soleus motor units. The ballet dancers tended to be better at maintaining a stable cocontraction of the antagonistic muscles, but this difference was not significant (P = 0.09). Following 27 min of cocontraction training, the nondancers improved their performance significantly, whereas no significant improvement was observed for the ballet dancers. The nondancers showed a significant increase in 15- to 35-Hz coherence following the training, whereas the ballet dancers did not show a significant change. A group of control subjects (n = 4), who performed cocontraction of the antagonistic muscles for an equal amount of time, but without any requirement to improve their performance, showed no change in coherence. We suggest that improved ability to maintain a stable cocontraction around the ankle joint is accompanied by short-term plastic changes in the neural drive to the involved muscles, but that such changes are not necessary for maintained high-level performance.
踝关节拮抗肌的协同收缩优化已被证明涉及脊髓和皮质神经回路的可塑性变化。这种变化可能解释了精英芭蕾舞演员在各种芭蕾舞姿势下保持稳定平衡的能力。在这里,我们研究了短期的芭蕾舞训练是否会导致拮抗踝部运动单位之间的耦合发生变化。招募了 11 名芭蕾舞演员和 10 名非芭蕾舞演员进行研究。在训练之前,芭蕾舞演员和非芭蕾舞演员在 15-35 Hz 频段内表现出相同的相干性,并且在拮抗胫骨前肌和比目鱼肌运动单位之间表现出短期的同步性。芭蕾舞演员倾向于更好地保持拮抗肌肉的稳定协同收缩,但这一差异并不显著(P = 0.09)。经过 27 分钟的协同收缩训练,非芭蕾舞演员的表现明显提高,而芭蕾舞演员则没有明显提高。非芭蕾舞演员在训练后 15-35 Hz 的相干性显著增加,而芭蕾舞演员则没有显著变化。一组对照组(n = 4),他们进行了拮抗肌肉的协同收缩,时间相等,但不需要提高他们的表现,相干性没有变化。我们认为,维持踝关节周围稳定协同收缩的能力的提高伴随着神经驱动的短期可塑性变化,但这种变化对于维持高水平的表现并不是必需的。