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儿童对新歌的记忆:歌词与曲调是整合存储还是独立存储?

Children's memory for new songs: integration or independent storage of words and tunes?

作者信息

Morrongiello B A, Roes C L

机构信息

Psychology Department, University of Western, Ontario, London, Canada.

出版信息

J Exp Child Psychol. 1990 Aug;50(1):25-38. doi: 10.1016/0022-0965(90)90030-c.

Abstract

The present study investigated how young children encode a song in memory, specifically, whether they integrate or store independently in memory the text and the tune of a song. Preschool children and, for purposes of comparison, adults, each participated in two test sessions: in one they were presented three novel tunes each with rhyming text and in the other they heard the same three tunes but with nonrhyming text. Following this familiarization phase they received a recognition test. On each trial, they heard one of five types of songs; the original song, a completely new song (new words, new tune), a mismatch of the tune of one song with the words of another, old words with a new tune, and new words with an old tune. The subject's task was to decide if each test song was "exactly the same," "somewhat the same," or "not at all the same" as any one of the three original songs. At both ages the proportion of "same" responses was significantly greater for the original than mismatch songs, indicating that listeners were more likely to remember the exact pairing of text and tune than to retain the components independently. However, integration was significantly greater for adults than children. At both ages, for songs judged as similar to the original songs, the words more often than the tune proved to be the most salient feature, particularly for children. There were no significant effects of rhyme on performance at either age. The results are discussed in terms of Serafine, Crowder, and Repp's (1984) hypothesis that one integrates the tune and text of a song in memory, rather than storing components separately.

摘要

本研究调查了幼儿如何在记忆中对歌曲进行编码,具体而言,他们是将歌曲的歌词和曲调整合存储在记忆中,还是独立存储。学龄前儿童以及作为对照的成年人各参加了两个测试环节:在一个环节中,他们听了三首配有押韵歌词的新曲调;在另一个环节中,他们听了同样的三首曲调,但歌词不押韵。在这个熟悉阶段之后,他们接受了识别测试。在每次试验中,他们听五种类型歌曲中的一种:原歌曲、全新歌曲(新词、新曲调)、一首歌曲的曲调与另一首歌曲的歌词不匹配、旧词配新曲调以及新词配旧曲调。受试者的任务是判断每首测试歌曲与三首原歌曲中的任何一首是“完全相同”、“有些相同”还是“完全不同”。在两个年龄段,对原歌曲的“相同”反应比例都显著高于不匹配歌曲,这表明听众更有可能记住歌词和曲调的准确配对,而不是独立记住各个组成部分。然而,成年人的整合程度明显高于儿童。在两个年龄段,对于被判断与原歌曲相似的歌曲,歌词比曲调更常被证明是最突出的特征,尤其是对儿童而言。在两个年龄段,押韵对表现均无显著影响。研究结果根据塞拉菲内、克劳德和雷普(1984)的假设进行了讨论,该假设认为人们在记忆中会将歌曲的曲调和歌词整合起来,而不是将各个组成部分分开存储。

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