Antunes Vanessa, J Oliveira Maria, Vargas Helena, Candeias António, Seruya Ana, Dias Luís, Serrão Vítor, Coroado João
Instituto de História de Arte-Faculdade de Letras da Universidade de Lisboa (IHA/FLUL), Alameda da Universidade, 1600-214, Lisboa, Portugal.
Laboratório José de Figueiredo-Direcção Geral do Património Cultural (LJF/DGPC), R. das Janelas Verdes, 1249-018 Lisboa, Portugal.
Microsc Microanal. 2014 Feb;20(1):66-71. doi: 10.1017/S1431927613013561. Epub 2013 Oct 11.
According to treatises on 15th and 16th century paintings, artists dedicated particular attention to the sizing layer-consisting mainly of animal glue applied onto the wood support before further application of the ground layer. The stability of a painting mainly depends on the presence of a very cohesive sizing layer. However, the study of these layers has not received special attention from researchers. In this article we present a methodology for characterization of the sizing layer both chemically, by IR spectroscopy (Fourier transform infrared spectroscopy), and morphologically, by scanning electron microscopy (SEM). Secondary electron images obtained by SEM allow precise characterization of such layers. Painting reconstructions were used as references in development of the method to study the sizing layer in real painting samples. Presented herein are examples of this study on 15th and 16th century Portuguese paintings, particularly on the Triptych of S. Simão, from the Aveiro Museum, and S. Pedro, belonging to the Mercy of Tavira.
根据关于15世纪和16世纪绘画的论文,艺术家们特别关注上浆层——主要由动物胶组成,在进一步涂抹底色层之前涂覆在木质支撑物上。一幅画的稳定性主要取决于是否存在非常有粘性的上浆层。然而,这些层的研究尚未得到研究人员的特别关注。在本文中,我们提出了一种通过红外光谱(傅里叶变换红外光谱)进行化学表征以及通过扫描电子显微镜(SEM)进行形态学表征上浆层的方法。通过扫描电子显微镜获得的二次电子图像能够对上浆层进行精确表征。在开发研究真实绘画样本中上浆层的方法时,绘画修复作品被用作参考。本文展示了对15世纪和16世纪葡萄牙绘画的研究实例,特别是对阿威罗博物馆的《圣西芒三联画》以及属于塔维拉慈善会的《圣佩德罗》的研究。