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论“埃尔·格列柯谬误”的起源与现状

On the origin and status of the "El Greco fallacy".

作者信息

Firestone Chaz

机构信息

Department of Psychology, Yale University, Box 208205, New Haven, CT 06520-8205, USA.

出版信息

Perception. 2013;42(6):672-4. doi: 10.1068/p7488.

Abstract

The oddly elongated forms painted by the Spanish Renaissance artist El Greco are popularly but incorrectly attributed to astigmatism. The particular reason this explanation fails has long offered a deep lesson for perceptual psychology, even motivating recent research. However, the details and historical origins of this lesson--often called the "El Greco fallacy"--have been obscured over many retellings, leading to an incomplete and even inaccurate understanding of its provenance and status. This note corrects the record, which is richer, subtler, and more interesting than recent accounts would suggest.

摘要

西班牙文艺复兴时期艺术家埃尔·格列柯所绘那些奇特拉长的形状,人们普遍但错误地将其归因于散光。这种解释不成立的具体原因长期以来一直给知觉心理学上了深刻一课,甚至推动了近期的研究。然而,这一教训——常被称为“埃尔·格列柯谬误”——的细节和历史渊源在多次讲述中被模糊了,导致对其起源和地位的理解不完整甚至不准确。本笔记纠正了这一记录,其实际情况比近期描述所显示的更为丰富、微妙和有趣。

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