Anglès i Lingüística, Universitat de Lleida, Spain.
Gerontologist. 2016 Apr;56(2):193-200. doi: 10.1093/geront/gnu033. Epub 2014 Apr 28.
In The Loneliness of the Dying (1985), sociologist Norbert Elias claims that "aging" and "old age" have become frightening, almost taboo terms in Western society because death is increasingly made invisible in advanced societies. Years ago, death was a part of life and the dead were granted the honor of passing away in their homes, surrounded by their communities; in present-day society, most have never seen a corpse and are ignorant of anything related to death.
According to Elias, the consequences of this distancing from death have been a distancing from the aging process as a whole. This paper aims to analyze to what extent Norbert Elias's theories about death and the aging process are reflected in contemporary British fiction, using two novels as case studies.
Ending Up (1974) and These Foolish Things (2004) depict older British characters who decide to share their last years when they realize that they are increasingly forgotten and invisible both within their communities and their families.
In each of their particular styles, bleak and ironic in the case of Kingsley Amis's Ending Up, and refreshingly humorous and moving in the case of Deborah Moggach's These Foolish Things, both authors reflect on possible outcomes for an increasingly aging population.
社会学家诺伯特·埃利亚斯(Norbert Elias)在《临终的孤独》(1985 年)一书中声称,在西方社会,“衰老”和“老年”已经成为令人恐惧、几乎禁忌的词汇,因为在先进社会中,死亡越来越难以被察觉。多年前,死亡是生命的一部分,死者在自己的家中、在他们的社区中得到荣誉离世;而在当今社会,大多数人从未见过尸体,对任何与死亡有关的事物都一无所知。
根据埃利亚斯的观点,这种与死亡的距离导致了对整个衰老过程的疏远。本文旨在分析诺伯特·埃利亚斯(Norbert Elias)关于死亡和衰老过程的理论在当代英国小说中反映到何种程度,选取两部小说作为案例研究。
《终结》(1974 年)和《这些愚蠢的事》(2004 年)描绘了两位英国老年角色,当他们意识到自己在社区和家庭中越来越被遗忘和忽视时,决定分享他们的晚年时光。
金斯利·艾米斯(Kingsley Amis)的《终结》以苍凉、讽刺的风格,黛博拉·莫加奇(Deborah Moggach)的《这些愚蠢的事》以清新幽默、感人至深的风格,这两部小说都反映了日益老龄化人口的可能结果。