Department of Music, Finnish Centre for Interdisciplinary Music Research, University of Jyväskylä Jyväskylä, Finland.
Front Hum Neurosci. 2014 Nov 7;8:903. doi: 10.3389/fnhum.2014.00903. eCollection 2014.
Music has the capacity to induce movement in humans. Such responses during music listening are usually spontaneous and range from tapping to full-body dancing. However, it is still unclear how humans embody musical structures to facilitate entrainment. This paper describes two experiments, one dealing with period locking to different metrical levels in full-body movement and its relationships to beat- and rhythm-related musical characteristics, and the other dealing with phase locking in the more constrained condition of sideways swaying motions. Expected in Experiment 1 was that music with clear and strong beat structures would facilitate more period-locked movement. Experiment 2 was assumed to yield a common phase relationship between participants' swaying movements and the musical beat. In both experiments optical motion capture was used to record participants' movements. In Experiment 1 a window-based period-locking probability index related to four metrical levels was established, based on acceleration data in three dimensions. Subsequent correlations between this index and musical characteristics of the stimuli revealed pulse clarity to be related to periodic movement at the tactus level, and low frequency flux to mediolateral and anteroposterior movement at both tactus and bar levels. At faster tempi higher metrical levels became more apparent in participants' movement. Experiment 2 showed that about half of the participants showed a stable phase relationship between movement and beat, with superior-inferior movement most often being synchronized to the tactus level, whereas mediolateral movement was rather synchronized to the bar level. However, the relationship between movement phase and beat locations was not consistent between participants, as the beat locations occurred at different phase angles of their movements. The results imply that entrainment to music is a complex phenomenon, involving the whole body and occurring at different metrical levels.
音乐具有引发人类运动的能力。在听音乐时,这种反应通常是自发的,范围从轻拍到全身跳舞。然而,目前还不清楚人类如何体现音乐结构以促进同步。本文描述了两项实验,一项涉及全身运动中不同韵律层次的周期锁定及其与节拍和节奏相关的音乐特征的关系,另一项涉及侧向摆动运动更受限制的条件下的相位锁定。实验 1 预计具有清晰而强烈节拍结构的音乐将促进更有节奏的运动。实验 2 假设参与者的摆动运动与音乐节拍之间存在共同的相位关系。在这两个实验中,都使用光学运动捕捉来记录参与者的运动。在实验 1 中,基于三个维度的加速度数据,建立了一个与四个韵律层次相关的基于窗口的周期锁定概率指数。随后,该指数与刺激音乐特征之间的相关性表明,脉冲清晰度与触键水平的周期性运动有关,低频通量与触键和小节水平的左右和前后运动有关。在更快的节奏下,参与者的运动中出现了更高的韵律层次。实验 2 表明,大约一半的参与者在运动和节拍之间表现出稳定的相位关系,上下运动最常与触键水平同步,而左右运动则更常与小节水平同步。然而,运动相位与节拍位置之间的关系在参与者之间并不一致,因为节拍位置出现在他们运动的不同相位角。结果表明,音乐的同步是一种复杂的现象,涉及整个身体,并发生在不同的韵律层次。