Phillips-Silver Jessica, Aktipis C Athena, Bryant Gregory A
Brain, Music and Sound (BRAMS), Université de Montréal.
Music Percept. 2010 Sep;28(1):3-14. doi: 10.1525/mp.2010.28.1.3.
Entrainment has been studied in a variety of contexts including music perception, dance, verbal communication and motor coordination more generally. Here we seek to provide a unifying framework that incorporates the key aspects of entrainment as it has been studied in these varying domains. We propose that there are a number of types of entrainment that build upon pre-existing adaptations that allow organisms to perceive stimuli as rhythmic, to produce periodic stimuli, and to integrate the two using sensory feedback. We suggest that social entrainment is a special case of spatiotemporal coordination where the rhythmic signal originates from another individual. We use this framework to understand the function and evolutionary basis for coordinated rhythmic movement and to explore questions about the nature of entrainment in music and dance. The framework of entrainment presented here has a number of implications for the vocal learning hypothesis and other proposals for the evolution of coordinated rhythmic behavior across an array of species.
夹带现象已在多种情境中得到研究，包括音乐感知、舞蹈、言语交流以及更广泛的运动协调。在此，我们试图提供一个统一的框架，该框架纳入了在这些不同领域中对夹带现象进行研究的关键方面。我们提出，存在多种类型的夹带现象，它们建立在预先存在的适应性基础之上，这些适应性使生物体能够将刺激感知为有节奏的、产生周期性刺激，并利用感官反馈将两者整合起来。我们认为，社会夹带是一种特殊的时空协调情况，其中节奏信号源自另一个个体。我们利用这个框架来理解协调节奏运动的功能和进化基础，并探讨关于音乐和舞蹈中夹带现象本质的问题。这里提出的夹带框架对声乐学习假说以及关于一系列物种中协调节奏行为进化的其他提议有许多启示。
