Wright Peter, Davies Christina, Haseman Brad, Down Barry, White Mike, Rankin Scott
School of Education, Murdoch University , Murdoch , Australia.
Creative Industries Faculty, Queensland University of Technology , Brisbane , Australia.
Arts Health. 2013 Oct 1;5(3):190-203. doi: 10.1080/17533015.2013.822397. Epub 2013 Aug 8.
: This paper describes research conducted with Big ART, Australia's most awarded participatory arts company. It considers three projects, LUCKY, GOLD and NGAPARTJI NGAPARTJI across separate sites in Tasmania, Western NSW and Northern Territory, respectively, in order to understand project impact from the perspective of project participants, Arts workers, community members and funders. : Semi-structured interviews were conducted with 29 respondents. The data were coded thematically and analysed using the constant comparative method of qualitative data analysis. : Seven broad domains of change were identified: psychosocial health; community; agency and behavioural change; the Art; economic effect; learning and identity. : Experiences of participatory arts are interrelated in an ecology of practice that is iterative, relational, developmental, temporal and contextually bound. This means that questions of impact are contingent, and there is no one path that participants travel or single measure that can adequately capture the richness and diversity of experience. Consequently, it is the productive tensions between the domains of change that are important and the way they are animated through Arts practice that provides sign posts towards the impact of Big ART projects.
本文介绍了与澳大利亚获奖最多的参与性艺术公司Big ART合作开展的研究。该研究考察了分别位于塔斯马尼亚、新南威尔士州西部和北领地不同地点的三个项目，即“幸运”“黄金”和“恩加帕蒂吉恩加帕蒂吉”，以便从项目参与者、艺术工作者、社区成员和资助者的角度了解项目影响。
对29名受访者进行了半结构化访谈。对数据进行了主题编码，并采用定性数据分析的持续比较法进行分析。
心理社会健康；社区；能动性与行为改变；艺术；经济影响；学习与身份认同。
参与性艺术的体验在一种实践生态中相互关联，这种生态是迭代的、关联的、发展的、有时间性的且受情境限制的。这意味着影响问题是偶然的，参与者没有单一的经历路径，也没有单一的衡量标准能够充分体现体验的丰富性和多样性。因此，重要的是变化领域之间产生的有益张力，以及它们通过艺术实践得以呈现的方式，这些为Big ART项目的影响提供了指引。
