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关于儿童蝌蚪画的文化视角:在表征与创作的交汇点上

Cultural perspectives on children's tadpole drawings: at the interface between representation and production.

作者信息

Gernhardt Ariane, Rübeling Hartmut, Keller Heidi

机构信息

Department of Culture and Development, School of Human Sciences, Osnabrück University , Osnabrück, Germany.

出版信息

Front Psychol. 2015 Jun 17;6:812. doi: 10.3389/fpsyg.2015.00812. eCollection 2015.

Abstract

This study investigated tadpole self-drawings from 183 three- to six-year-old children living in seven cultural groups, representing three ecosocial contexts. Based on assumed general production principles, the influence of cultural norms and values upon specific characteristics of the tadpole drawings was examined. The results demonstrated that children from all cultural groups realized the body-proportion effect in the self-drawings, indicating universal production principles. However, children differed in single drawing characteristics, depending on the specific ecosocial context. Children from Western and non-Western urban educated contexts drew themselves rather tall, with many facial features, and preferred smiling facial expressions, while children from rural traditional contexts depicted themselves significantly smaller, with less facial details, and neutral facial expressions.

摘要

本研究调查了来自七个文化群体、代表三种生态社会背景的183名三至六岁儿童所画的蝌蚪自画像。基于假定的一般创作原则,研究了文化规范和价值观对蝌蚪画像特定特征的影响。结果表明,所有文化群体的儿童在自画像中都体现了身体比例效应,这表明存在普遍的创作原则。然而,根据具体的生态社会背景,儿童在单个画像特征上存在差异。来自西方和非西方城市受教育背景的儿童把自己画得比较高,面部特征较多,且更喜欢微笑的面部表情,而来自农村传统背景的儿童把自己画得明显较小,面部细节较少,面部表情为中性。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/99d8/4469825/1d0a56c2de48/fpsyg-06-00812-g0001.jpg

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