Tipper Christine M, Signorini Giulia, Grafton Scott T
Department of Psychiatry, University of British Columbia Vancouver, BC, Canada ; Mental Health and Integrated Neurobehavioral Development Research Core, Child and Family Research Institute Vancouver, BC, Canada.
Psychiatric Epidemiology and Evaluation Unit, Saint John of God Clinical Research Center Brescia, Italy.
Front Hum Neurosci. 2015 Aug 21;9:450. doi: 10.3389/fnhum.2015.00450. eCollection 2015.
This fMRI study investigated neural systems that interpret body language-the meaningful emotive expressions conveyed by body movement. Participants watched videos of performers engaged in modern dance or pantomime that conveyed specific themes such as hope, agony, lust, or exhaustion. We tested whether the meaning of an affectively laden performance was decoded in localized brain substrates as a distinct property of action separable from other superficial features, such as choreography, kinematics, performer, and low-level visual stimuli. A repetition suppression (RS) procedure was used to identify brain regions that decoded the meaningful affective state of a performer, as evidenced by decreased activity when emotive themes were repeated in successive performances. Because the theme was the only feature repeated across video clips that were otherwise entirely different, the occurrence of RS identified brain substrates that differentially coded the specific meaning of expressive performances. RS was observed bilaterally, extending anteriorly along middle and superior temporal gyri into temporal pole, medially into insula, rostrally into inferior orbitofrontal cortex, and caudally into hippocampus and amygdala. Behavioral data on a separate task indicated that interpreting themes from modern dance was more difficult than interpreting pantomime; a result that was also reflected in the fMRI data. There was greater RS in left hemisphere, suggesting that the more abstract metaphors used to express themes in dance compared to pantomime posed a greater challenge to brain substrates directly involved in decoding those themes. We propose that the meaning-sensitive temporal-orbitofrontal regions observed here comprise a superordinate functional module of a known hierarchical action observation network (AON), which is critical to the construction of meaning from expressive movement. The findings are discussed with respect to a predictive coding model of action understanding.
这项功能磁共振成像(fMRI)研究调查了解读肢体语言的神经系统——由身体动作传达的有意义的情感表达。参与者观看了从事现代舞或哑剧表演的视频,这些表演传达了诸如希望、痛苦、欲望或疲惫等特定主题。我们测试了情感丰富的表演的意义是否在局部脑区被解码,作为一种与其他表面特征(如编排、运动学、表演者和低级视觉刺激)可分离的动作的独特属性。采用重复抑制(RS)程序来识别解码表演者有意义情感状态的脑区,连续表演中情感主题重复时活动减少即证明了这一点。由于主题是跨视频片段重复的唯一特征,而其他方面视频片段完全不同,RS的出现确定了对表达性表演的特定意义进行差异编码的脑区。双侧均观察到RS,向前沿颞中回和颞上回延伸至颞极,向内延伸至脑岛,向前延伸至眶额下回,向后延伸至海马体和杏仁核。另一项任务的行为数据表明,解读现代舞主题比解读哑剧更困难;这一结果也反映在fMRI数据中。左半球的RS更强,表明与哑剧相比,舞蹈中用于表达主题的更抽象隐喻对直接参与解码这些主题的脑区构成了更大挑战。我们提出,此处观察到的对意义敏感的颞叶 - 眶额区域构成了已知分层动作观察网络(AON)的一个上级功能模块,这对于从表达性动作构建意义至关重要。结合动作理解的预测编码模型对这些发现进行了讨论。