Barros Caio G, Swardfager Walter, Moreno Sylvain, Bortz Graziela, Ilari Beatriz, Jackowski Andrea P, Ploubidis George, Little Todd D, Lamont Alexandra, Cogo-Moreira Hugo
Music Department, State University of São Paulo (UNESP) São Paulo, Brazil.
Department of Pharmacology and Toxicology, University of TorontoToronto, ON, Canada; Hurvitz Brain Sciences Program, Sunnybrook Research InstituteToronto, ON, Canada.
Front Neurosci. 2017 Jan 24;11:18. doi: 10.3389/fnins.2017.00018. eCollection 2017.
Given the relationship between language acquisition and music processing, musical perception (MP) skills have been proposed as a tool for early diagnosis of speech and language difficulties; therefore, a psychometric instrument is needed to assess music perception in children under 10 years of age, a crucial period in neurodevelopment. We created a set of 80 musical stimuli encompassing seven domains of music perception to inform perception of tonal, atonal, and modal stimuli, in a random sample of 1006 children, 6-13 years of age, equally distributed from first to fifth grades, from 14 schools (38% private schools) in So Paulo State. The underlying model was tested using confirmatory factor analysis. A model encompassing seven orthogonal specific domains (contour, loudness, scale, timbre, duration, pitch, and meter) and one general music perception factor, the "m-factor," showed excellent fit indices. The m-factor, previously hypothesized in the literature but never formally tested, explains 93% of the reliable variance in measurement, while only 3.9% of the reliable variance could be attributed to the multidimensionality caused by the specific domains. The 80 items showed no differential item functioning based on sex, age, or enrolment in public vs. private school, demonstrating the important psychometric feature of invariance. Like Charles Spearman's g-factor of intelligence, the m-factor is robust and reliable. It provides a convenient measure of auditory stimulus apprehension that does not rely on verbal information, offering a new opportunity to probe biological and psychological relationships with music perception phenomena and the etiologies of speech and language disorders.
鉴于语言习得与音乐处理之间的关系,音乐感知(MP)技能已被提议作为早期诊断言语和语言困难的一种工具;因此,需要一种心理测量工具来评估10岁以下儿童的音乐感知,这是神经发育的关键时期。我们创建了一组80个音乐刺激,涵盖音乐感知的七个领域,以了解对调性、无调性和调式刺激的感知,该组刺激应用于来自圣保罗州14所学校(38%为私立学校)的1006名6至13岁儿童的随机样本,这些儿童从一年级到五年级平均分布。使用验证性因素分析对潜在模型进行了测试。一个包含七个正交特定领域(轮廓、响度、音阶、音色、时长、音高和节拍)和一个一般音乐感知因素“m因素”的模型显示出极佳的拟合指数。“m因素”在文献中曾被假设但从未经过正式测试,它解释了测量中93%的可靠方差,而只有3.9%的可靠方差可归因于特定领域导致的多维性。这80个项目在性别、年龄或公立与私立学校入学情况方面均未表现出差异项目功能,证明了不变性这一重要的心理测量特征。与查尔斯·斯皮尔曼的智力g因素一样,“m因素”强大且可靠。它提供了一种便捷的听觉刺激理解测量方法,不依赖言语信息,为探究与音乐感知现象以及言语和语言障碍病因相关的生物学和心理学关系提供了新机会。