Harrison Neil R, Jones Julia, Davies Simon J
Liverpool Hope University, UK.
Iperception. 2017 Jan 1;8(1):2041669517691055. doi: 10.1177/2041669517691055. eCollection 2017 Jan-Feb.
A crucial part of accurately drawing portraits is the correct vertical positioning of the eyes. Non-experts typically place the eyes higher on the head than they are actually located; however, the explanation for this remains unclear. In Experiment 1, participants drew faces from memory and directly copied from a photograph, to confirm whether biases in observational drawings were related to biases in memory-based drawings. In Experiment 2, participants drew a cat's face, to test explanations by Carbon and Wirth for the positional bias: the 'view-from-below, the 'head-as-box', and the 'hair-as-hat' explanations. Results indicated that none of these three explanations could fully account for the vertical positioning biases observed in drawings of the cat's face. The findings are discussed in relation to the idea that distortions of vertical alignment in drawings may be related to the position of the most salient features within a face or object.
准确绘制肖像的一个关键部分是眼睛的正确垂直定位。非专业人士通常会将眼睛在头部的位置画得比实际位置更高;然而,对此现象的解释仍不清楚。在实验1中,参与者凭记忆绘制面部,并直接临摹照片,以确认观察性绘画中的偏差是否与基于记忆的绘画中的偏差有关。在实验2中,参与者绘制猫脸,以检验卡尔本和维尔特对位置偏差的解释:“从下往上看”“头部如盒子”和“头发如帽子”的解释。结果表明,这三种解释都不能完全说明在猫脸绘画中观察到的垂直定位偏差。结合绘画中垂直对齐的扭曲可能与面部或物体中最突出特征的位置有关这一观点,对研究结果进行了讨论。