Andreu-Sánchez Celia, Martín-Pascual Miguel Ángel, Gruart Agnès, Delgado-García José María
Neuro-Com Research Group, Universitat Autònoma de Barcelona, Edifici I, Facultat Ciències de la Comunicació, Campus Bellaterra, Cerdanyola del Vallès, Barcelona, Spain.
Division of Neurosciences, Pablo de Olavide University, Seville, Spain.
PLoS One. 2017 May 3;12(5):e0176030. doi: 10.1371/journal.pone.0176030. eCollection 2017.
This article explores whether there are differences in visual perception of narrative between theatrical performances and screens, and whether media professionalization affects visual perception. We created a live theatrical stimulus and three audio-visual stimuli (each one with a different video editing style) having the same narrative, and displayed them randomly to participants (20 media professionals and 20 non-media professionals). For media professionals, watching movies on screens evoked a significantly lower spontaneous blink rate (SBR) than looking at theatrical performances. Media professionals presented a substantially lower SBR than non-media professionals when watching screens, and more surprisingly, also when seeing reality. According to our results, media professionals pay higher attention to both screens and the real world than do non-media professionals.
本文探讨了戏剧表演和屏幕在叙事视觉感知上是否存在差异,以及媒体专业化是否会影响视觉感知。我们创建了一个现场戏剧刺激物和三个具有相同叙事的视听刺激物(每个刺激物具有不同的视频编辑风格),并将它们随机展示给参与者(20名媒体专业人员和20名非媒体专业人员)。对于媒体专业人员来说,在屏幕上观看电影时的自发眨眼率(SBR)明显低于观看戏剧表演时。媒体专业人员在观看屏幕时的SBR显著低于非媒体专业人员,更令人惊讶的是,在观看现实场景时也是如此。根据我们的研究结果,媒体专业人员比非媒体专业人员对屏幕和现实世界的关注度更高。