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微扫视速率表明了听音乐时的注意力集中程度。

Microsaccade-rate indicates absorption by music listening.

作者信息

Lange Elke B, Zweck Fabian, Sinn Petra

机构信息

Max-Planck-Institute for Empirical Aesthetics, Germany.

Max-Planck-Institute for Empirical Aesthetics, Germany; Bavarian Broadcast (BR), Germany.

出版信息

Conscious Cogn. 2017 Oct;55:59-78. doi: 10.1016/j.concog.2017.07.009. Epub 2017 Aug 5.

Abstract

The power of music is a literary topos, which can be attributed to intense and personally significant experiences, one of them being the state of absorption. Such phenomenal states are difficult to grasp objectively. We investigated the state of musical absorption by using eye tracking. We utilized a load related definition of state absorption: multimodal resources are committed to create a unified representation of music. Resource allocation was measured indirectly by microsaccade rate, known to indicate cognitive processing load. We showed in Exp. 1 that microsaccade rate also indicates state absorption. Hence, there is cross-modal coupling between an auditory aesthetic experience and fixational eye movements. When removing the fixational stimulus in Exp. 2, saccades are no longer generated upon visual input and the cross-modal coupling disappeared. Results are interpreted in favor of the load hypothesis of microsaccade rate and against the assumption of general slowing by state absorption.

摘要

音乐的力量是一个文学主题,它可归因于强烈且具有个人重要意义的体验,其中之一便是沉浸状态。这种现象状态难以客观把握。我们通过眼动追踪来研究音乐沉浸状态。我们采用了与负荷相关的沉浸状态定义:多模态资源被用于创建音乐的统一表征。资源分配通过微扫视率间接测量,已知微扫视率可指示认知处理负荷。我们在实验1中表明,微扫视率也能指示沉浸状态。因此,在听觉审美体验与注视眼动之间存在跨模态耦合。在实验2中去除注视刺激后,视觉输入不再引发扫视,跨模态耦合也消失了。结果支持微扫视率的负荷假说,而反对沉浸状态导致普遍反应迟缓的假设。

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