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通过对带有音乐节拍的声音进行模拟皮层下处理,出现了偏好节奏和低频偏向。

Preferred Tempo and Low-Audio-Frequency Bias Emerge From Simulated Sub-cortical Processing of Sounds With a Musical Beat.

作者信息

Zuk Nathaniel J, Carney Laurel H, Lalor Edmund C

机构信息

Department of Biomedical Engineering, University of Rochester, Rochester, NY, United States.

Department of Neuroscience, University of Rochester Medical Center, Rochester, NY, United States.

出版信息

Front Neurosci. 2018 May 29;12:349. doi: 10.3389/fnins.2018.00349. eCollection 2018.

Abstract

Prior research has shown that musical beats are salient at the level of the cortex in humans. Yet below the cortex there is considerable sub-cortical processing that could influence beat perception. Some biases, such as a tempo preference and an audio frequency bias for beat timing, could result from sub-cortical processing. Here, we used models of the auditory-nerve and midbrain-level amplitude modulation filtering to simulate sub-cortical neural activity to various beat-inducing stimuli, and we used the simulated activity to determine the tempo or beat frequency of the music. First, irrespective of the stimulus being presented, the preferred tempo was around 100 beats per minute, which is within the range of tempi where tempo discrimination and tapping accuracy are optimal. Second, sub-cortical processing predicted a stronger influence of lower audio frequencies on beat perception. However, the tempo identification algorithm that was optimized for simple stimuli often failed for recordings of music. For music, the most highly synchronized model activity occurred at a multiple of the beat frequency. Using bottom-up processes alone is insufficient to produce beat-locked activity. Instead, a learned and possibly top-down mechanism that scales the synchronization frequency to derive the beat frequency greatly improves the performance of tempo identification.

摘要

先前的研究表明,音乐节拍在人类大脑皮层水平上很显著。然而,在皮层之下存在大量可能影响节拍感知的皮层下处理过程。一些偏差,如节奏偏好和节拍计时的音频频率偏差,可能源于皮层下处理。在这里,我们使用听觉神经和中脑水平的幅度调制滤波模型来模拟皮层下神经活动对各种节拍诱导刺激的反应,并使用模拟活动来确定音乐的节奏或节拍频率。首先,无论呈现何种刺激,偏好的节奏约为每分钟100拍,这处于节奏辨别和敲击准确性最佳的节奏范围内。其次,皮层下处理预测较低音频频率对节拍感知有更强的影响。然而,为简单刺激优化的节奏识别算法在音乐录音中常常失效。对于音乐,同步性最高的模型活动出现在节拍频率的倍数处。仅使用自下而上的过程不足以产生节拍锁定活动。相反,一种经过学习且可能是自上而下的机制,即通过调整同步频率来推导节拍频率,能大大提高节奏识别的性能。

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