Brain and Cognition, University of Leuven, Tiensestraat 102, PO box 3711, 3000, Leuven, Belgium.
Psychol Res. 2019 Nov;83(8):1685-1702. doi: 10.1007/s00426-018-1038-z. Epub 2018 Jun 16.
We investigated task-set control processes and chunking in 16 novices and 16 amateur musicians, who produced unimanual rhythms in three experimental conditions: low-level timing tasks required isochronous tapping at constant target durations; sequencing tasks consisted of individual rhythmic patterns comprising multiple target durations; the task-set control condition required alternations between two rhythmic patterns. According to our hierarchical timing control model conditions differed in their task-set control demands necessary to provide rhythm programs for the sequencing of individual intervals. Transitions at predicted chunk boundaries were marked by increased frequencies of sequence errors, relative lengthening of intervals preceding the switch to a new rhythm chunk, and increased variabilities in intervals immediately following a switch. Amateur musicians showed superior timing (less variability) in complex rhythm tasks. Moreover, they made fewer sequence errors than novices at set-switch points with their error patterns suggesting that they relied on larger chunks compared with novices. Our findings elucidate the time course of task reconfiguration processes in rhythm production and the role of chunking in the context of musical skill.
我们调查了任务集控制过程和组块在 16 名新手和 16 名业余音乐家中的作用,他们在三种实验条件下进行单手节奏:低水平的定时任务需要在恒定的目标持续时间内进行等时敲击;序列任务由多个目标持续时间组成的单个节奏模式组成;任务集控制条件要求在两个节奏模式之间交替。根据我们的分层计时控制模型,条件在为序列单个间隔提供节奏程序所需的任务集控制要求方面有所不同。在预测的块边界处的转换以序列错误的增加频率、切换到新节奏块之前的间隔的相对延长以及切换后立即出现的间隔的变异性增加为标志。业余音乐家在复杂的节奏任务中表现出更好的计时(更少的变化)。此外,他们在设置切换点的序列错误比新手少,他们的错误模式表明他们与新手相比依赖于更大的块。我们的发现阐明了节奏产生中任务重新配置过程的时间过程以及组块在音乐技能背景下的作用。