Institute of Occupational Medicine, Social Medicine and Environmental Medicine, Goethe-University Frankfurt am Main, Frankfurt am Main, Germany.
Move-functional, Berndorf bei Salzburg, Austria.
PLoS One. 2018 Dec 11;13(12):e0208758. doi: 10.1371/journal.pone.0208758. eCollection 2018.
Musicians often perform in forced postures over a long period of time, which in the worst case may lead to playing-related musculoskeletal disorders. In this context, the ergonomics of the musician's chair (construction and surface quality) can be an influencing factor, with impact on the seating position of the upper body and the pressure distribution of the bottom. Therefore, the relationship between different musician chairs and musicians of different playing levels (professional, amateur or student) was analyzed in order to gain useful insights whether playing experience, playing level, playing style (symmetrical or asymmetrical) or gender have an impact.
The total dataset of 47 musicians (3 playing levels: professional, amateur, student) were analysed on six musician chairs with different ergonomic layout. Sitting on each chair without instrument (condition 1) and with instrument (condition 2), the upper body posture (videorasterstereography) and the seat pressure (load distribution) were recorded.as Also, a subjective assessment concerning constitutional data, sitting behaviour, prevailing pain in the musculoskeletal system, sport activity and chair comfort rating, was completed using a questionnaire.
There were significant differences shown in 6 of 17 variables, where all between and within factors were accounted for with a MANOVA. Two measurements of the upper body posture (scapular distance and scapular height) differentiated between playing level. Four of the pressure measurements (pressure under the sit bone and the thigh for the left and the right side) differentiated between chairs and the two conditions (with and without instrument). Chairs with soft cushioning had a mean pressure reduction of about 30%. The pressure was increased by about 10% while playing an instrument. Subjective rating was correlated to age for some of the chairs.
Differences between chairs are mainly associated with the pressure distribution under the sitting surface. Playing with an instrument puts an additional force onto the surface of the chair that is more than the weight of the instrument. No relationship between pressure data and upper body posture data could be found. Therefore, it can be speculated that the intersubject variability is larger than systematic differences introduced by the chair or instrument.
音乐家经常长时间以强制姿势演奏,在最坏的情况下,这可能导致与演奏相关的肌肉骨骼疾病。在这种情况下,音乐家椅子的人体工程学(结构和表面质量)可能是一个影响因素,会影响上半身的坐姿和底部的压力分布。因此,分析了不同音乐家椅子和不同演奏水平(专业、业余或学生)的音乐家之间的关系,以便了解演奏经验、演奏水平、演奏风格(对称或不对称)或性别是否有影响。
总共分析了 47 名音乐家(3 个演奏水平:专业、业余、学生)在 6 把具有不同人体工程学布局的音乐家椅子上的数据。在没有乐器的情况下坐在每张椅子上(条件 1)和有乐器的情况下(条件 2),记录上半身姿势(视频光栅立体摄影术)和座椅压力(负载分布)。此外,还使用问卷完成了有关体质数据、坐姿行为、肌肉骨骼系统普遍疼痛、运动活动和椅子舒适度评级的主观评估。
在 17 个变量中的 6 个变量中显示出显著差异,其中所有的组间和组内因素都通过 MANOVA 进行了分析。上半身姿势的两个测量值(肩胛骨距离和肩胛骨高度)区分了演奏水平。四个压力测量值(左、右侧坐骨下和大腿下的压力)区分了椅子和两种情况(有和没有乐器)。软垫椅子的平均压力降低了约 30%。演奏乐器时,压力增加了约 10%。一些椅子的主观评价与年龄相关。
椅子之间的差异主要与坐面下的压力分布有关。演奏乐器时,会对椅子表面施加超过乐器重量的额外力。在压力数据和上半身姿势数据之间没有发现关系。因此,可以推测,个体差异比椅子或乐器引入的系统差异更大。