Brighter Grant, Rader Nancy
Mind-Body Laboratory, Department of Psychology, Ithaca College, Ithaca, NY, United States.
Cognition Laboratory, Department of Psychology, Ithaca College, Ithaca, NY, United States.
Front Hum Neurosci. 2019 Jan 28;13:3. doi: 10.3389/fnhum.2019.00003. eCollection 2019.
An "establishing shot" prefaces a scene in a movie with a wide shot of the scene's location. It is meant to help viewers process a shift to a new location. Establishing shots can depict the actors in the space in which they will be acting, the exterior of a building, or the larger geographic context of the scene. While use of an establishing shot is standard filmmaking practice, some argue that establishing shots are unnecessary. This study sought to investigate how effective four types of establishing shots are at helping viewers process location shifts. Pupil diameter was recorded using a MangoldVision eye tracking system as a measure of arousal and cognitive load. Oxygenation levels in the prefrontal cortex provided an additional measure of cognitive load assessed through functional near infrared spectroscopy (fNIRS). We expected scene transitions to be followed by transient increases in pupil diameter and oxygenation levels, suggesting increased cognitive load and arousal. We predicted that participants should experience less cognitive load and arousal after a transition to a new scene when that scene has been prefaced with an establishing shot and that these effects would be greatest for establishing shots that depict actors. We found that geographic establishing shots produced significantly lower average pupil diameter than all other establishing shot types and the use of no establishing shot. Actors establishing shots elicited significantly lower average pupil diameter values than the use of no establishing shot. Maximum and average oxygenation values for the actors establishing shot condition were significantly higher than for the exterior establishing shot condition. An alpha level of 0.05 was used for all analyses. These results suggest differences between pupil diameter and fNIRS in terms of the psychological phenomenon they measure, and may inform the design of future films.
“定场镜头”通过对场景地点的全景拍摄来开启电影中的一个场景。它旨在帮助观众适应场景转移到新地点。定场镜头可以描绘演员即将表演的空间、建筑物的外观或场景的更大地理背景。虽然使用定场镜头是标准的电影制作手法,但一些人认为定场镜头是不必要的。本研究旨在调查四种类型的定场镜头在帮助观众处理地点转移方面的效果如何。使用曼戈德视觉眼动追踪系统记录瞳孔直径,作为唤醒和认知负荷的指标。前额叶皮层的氧合水平提供了通过功能近红外光谱(fNIRS)评估的认知负荷的额外指标。我们预计场景转换后瞳孔直径和氧合水平会短暂增加,这表明认知负荷和唤醒增加。我们预测,当一个新场景之前有定场镜头时,参与者在转换到新场景后应该会经历较少的认知负荷和唤醒,并且这些效果对于描绘演员的定场镜头最为显著。我们发现,地理定场镜头产生的平均瞳孔直径显著低于所有其他定场镜头类型以及不使用定场镜头的情况。演员定场镜头引发的平均瞳孔直径值显著低于不使用定场镜头的情况。演员定场镜头条件下的最大和平均氧合值显著高于外部定场镜头条件。所有分析均使用0.05的显著性水平。这些结果表明瞳孔直径和fNIRS在它们所测量的心理现象方面存在差异,并且可能为未来电影的设计提供参考。