Department of Music, The University of Sheffield, 34 Leavygreave Road, Sheffield, S3 7RD, UK.
MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Locked Bag 1797, Penrith, NSW, 2751, Australia.
Neurosci Lett. 2020 Mar 16;721:134803. doi: 10.1016/j.neulet.2020.134803. Epub 2020 Jan 31.
Sensorimotor synchronization is a general skill that musicians have developed to the highest levels of performance, including synchronization in timing and articulation. This study investigated neurocognitive processes that enable such high levels of performance, specifically testing the relevance of 1) motor resonance and sharing high levels of motor expertise with the co-performer, and 2) the role of visual information in addition to auditory information. Musicians with varying levels of piano expertise (including non-pianists) performed on a single piano key with their right hand along with recordings of a pianist who performed simple melodies with the left hand, synchronizing timing and articulation. The prerecorded performances were presented as audio-only, audio-video, or audio-animation stimuli. Double pulse Transcranial Magnetic Stimulation (dTMS) was applied to test the contribution of the right dorsal premotor cortex (dPMC), an area implicated in motor resonance with observed (left-hand) actions, and the contribution of the right intraparietal sulcus (IPS), an area known for multisensory binding. Results showed effects of dTMS in the conditions that included visual information. IPS stimulation improved synchronization, although this effect was found to reverse in the video condition with higher levels of piano expertise. dPMC stimulation improved or worsened synchronization ability. Level of piano expertise was found to influence this direction in the video condition. These results indicate that high levels of relevant motor expertise are required to beneficially employ visual and motor information of a co-performer for sensorimotor synchronization, which may qualify the effects of dPMC and IPS involvement.
运动感知同步是音乐家在演奏中所具备的一种高度发达的技能,包括在时间和发音上的同步。本研究旨在探究使音乐家达到如此高水准演奏的神经认知过程,具体包括以下两个方面:1)运动共鸣,以及与合作演奏者共享高度的运动专业知识;2)除听觉信息外,视觉信息的作用。研究对象为钢琴演奏水平各异的音乐家(包括非钢琴演奏者),他们使用右手在同一架钢琴上演奏简单的旋律,与左手演奏的钢琴家的录音同步,实现时间和发音的同步。预先录制的表演以音频、音频-视频或音频-动画刺激呈现。双脉冲经颅磁刺激(dTMS)用于测试右背外侧运动前皮层(dPMC)的贡献,该区域与观察到的(左手)动作中的运动共鸣有关,以及内顶叶皮层(IPS)的贡献,该区域与多感觉绑定有关。结果显示,在包含视觉信息的条件下,dTMS 具有影响。IPS 刺激可改善同步性,但在具有更高钢琴演奏水平的视频条件下,这种效果会逆转。dPMC 刺激可改善或恶化同步能力。在视频条件下,钢琴演奏水平会影响这种方向。这些结果表明,要想从合作演奏者的视觉和运动信息中受益,进行运动感知同步,需要具备高度相关的运动专业知识,这可能会影响 dPMC 和 IPS 的参与程度。