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在东非控制 COVID-19 大流行的健康促进中歌词和艺术即兴创作。

Lyrics and artistic improvisations in health promotion for the COVID-19 pandemic control in East Africa.

机构信息

Department of Social Sciences and Development Studies, Catholic University of Eastern Africa, Nairobi, Kenya.

出版信息

Glob Health Promot. 2021 Mar;28(1):23-32. doi: 10.1177/1757975920973671. Epub 2020 Dec 1.

Abstract

News about the outbreak of coronavirus disease 2019 (COVID-19) in Wuhan City, Hubei Province, China in December 2019 diffused gradually to East Africa through mainstream media and social media. The general public construed the pandemic threat as being 'far away' and associated it with foreign practices and behaviours. Social media discourse was initially replete with indifference about the perceived risk. Conflicting views about the possibility of the pandemic spreading to Africa and the complexity of explaining its causes delayed the desired understanding of the reality of the global public health concern. The popular public response to the COVID-19 control discourse is therefore characterised by ambivalence about embracing the pandemic control protocols. Drawing on content and discourse analysis of musical and poetic compositions on COVID-19 by artists in East Africa and shared among WhatsApp users in Kenya, this article describes local perspectives on COVID-19 risk and their health promotion implications. It explores local construction of the meaning of the COVID-19 pandemic and its consequences for effective health promotion. The article considers the spontaneous musical and poetic performances by experienced and amateur artists as local attempts to enhance compliance with the global COVID-19 control protocols and popular participation in local health promotion. The basic premise is that artists' creation and sharing of digital COVID-19 lyrics denote their attempt to go beyond the medical logic of health promotion by including broad aspects of a cultural logic of care. This approach would establish an integrated and sustainable health promotion framework to prevent the spread of COVID-19 and its impact on local societal wellbeing.

摘要

2019 年 12 月,中国湖北省武汉市爆发的 2019 年冠状病毒病(COVID-19)的消息逐渐通过主流媒体和社交媒体传播到东非。公众将这一疫情威胁理解为“遥远”的,并将其与外国的做法和行为联系起来。社交媒体上的言论最初对感知到的风险漠不关心。关于疫情是否有可能传播到非洲以及解释其原因的复杂性的观点相互矛盾,这延迟了人们对全球公共卫生关注这一现实的理解。因此,公众对 COVID-19 控制话语的普遍反应是对接受疫情控制协议持矛盾态度。本文通过对东非艺术家创作的关于 COVID-19 的音乐和诗歌作品的内容和话语分析,以及在肯尼亚 WhatsApp 用户中分享的作品,描述了非洲对 COVID-19 风险的看法及其对健康促进的影响。本文探讨了当地对 COVID-19 大流行的意义的构建及其对有效健康促进的影响。本文认为,经验丰富的和业余的艺术家自发的音乐和诗歌表演是他们试图超越健康促进的医学逻辑的尝试,包括了关怀的文化逻辑的广泛方面。这种方法将建立一个综合和可持续的健康促进框架,以防止 COVID-19 的传播及其对当地社会福利的影响。

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