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评估表演瞬间:探索角色逼真刻画的特征。

Rating the Acting Moment: Exploring Characteristics for Realistic Portrayals of Characters.

作者信息

Panero Maria Eugenia, Winner Ellen

机构信息

Yale University, New Haven, CT, United States.

Department of Psychology and Neuroscience, Boston College, Chestnut Hill, MA, United States.

出版信息

Front Psychol. 2021 Feb 4;11:615311. doi: 10.3389/fpsyg.2020.615311. eCollection 2020.

Abstract

Good actors appear to become their characters, making them come alive, as if they were real. Is this because they have succeeded in merging themselves with their character? Are there any positive or negative psychological effects of this experience? We examined the role of three characteristics that may make this kind of merging possible: dissociation, flow, and empathy. We also examined the relation of these characteristics to acting quality. Acting students ( = 44) and non-acting students ( = 43) completed a dissociation measure, and then performed a monologue that was recorded and rated on the dimensions of acting. Participants were then reassessed on dissociation to determine whether it increased as a function of performance. They were also then assessed on flow and empathy. Actors did not differ from non-actors on dissociation, but did score significantly higher than non-actors on some flow and empathy subscales, indicating a positive psychological experience and outcome. While non-actors' dissociation marginally increased post-performance, actors' dissociation rose significantly, which could indicate a negative psychological experience. Surprisingly, acting ratings were unrelated to the levels of dissociation, flow, or empathy. We concluded that, while these are tools used by actors to immerse themselves fully in their characters, they may not be necessary to create the illusion of an imaginary character come to life on stage.

摘要

优秀的演员似乎能化身成为他们所饰演的角色,使其栩栩如生,仿若真人。这是因为他们成功地将自己与角色融为一体了吗?这种体验会产生哪些积极或消极的心理影响呢?我们研究了三种可能促成这种融合的特质的作用:解离、心流和共情。我们还考察了这些特质与表演质量之间的关系。表演专业学生(n = 44)和非表演专业学生(n = 43)完成了一项解离测量,然后进行了一段独白表演,表演被录制下来并根据表演维度进行评分。随后,对参与者的解离情况进行重新评估,以确定其是否会随着表演而增加。他们还接受了心流和共情方面的评估。在解离方面,演员与非演员没有差异,但在一些心流和共情子量表上,演员的得分显著高于非演员,这表明了一种积极的心理体验和结果。虽然非演员在表演后的解离略有增加,但演员的解离显著上升,这可能表明存在消极的心理体验。令人惊讶的是,表演评分与解离、心流或共情水平无关。我们得出的结论是,虽然这些是演员用来完全沉浸于角色的工具,但要在舞台上创造出一个虚构角色栩栩如生的错觉,它们可能并非必要条件。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/aed1/7889958/fba1374e59ad/fpsyg-11-615311-g001.jpg

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