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永恒黑夜的盲穴:泰戈尔作品中的哀悼之作

Blind cave of eternal night: The work of mourning in Tagore's .

作者信息

Mitra Kamalika

机构信息

HB-188, Sector-3, Salt Lake, Kolkata-700106, India.

出版信息

Int J Psychoanal. 2018 Aug;99(4):855-876. doi: 10.1080/00207578.2018.1490400. Epub 2018 Jun 20.

Abstract

This paper correlates Sigmund Freud and Rabindranath Tagore's writings on mourning through two specific texts. Despite being contemporaries and profoundly influential, Tagore and Freud's spheres of influence have tended to be separate, so that there have been but few attempts at connecting their philosophies. This essay examines the second chapter of Tagore's novella (, 1916) in the light of Freud's essay 'Mourning and melancholia' (1917). It explores how mourning may at once demand confirmation and denial; how it affects love and desire. The essay examines the Freudian concept of the unconscious through Tagore's symbolism; it also looks at Tagore and Freud's references to autobiographical elements and Shakespeare in their writing. The paper thus offers a close and juxtaposed reading of texts by two of the most important writers of the past century, who wrote and revolutionized our thinking about human minds and lives. In doing so, it throws new light on Tagore's novella and further proves the universality of Freud's propositions.

摘要

本文通过两篇特定文本,关联了西格蒙德·弗洛伊德和罗宾德拉纳特·泰戈尔关于哀悼的著作。尽管泰戈尔和弗洛伊德是同时代人且都极具影响力,但他们的影响范围往往是分开的,因此将他们的哲学联系起来的尝试很少。本文根据弗洛伊德的论文《哀悼与忧郁症》(1917年),审视了泰戈尔中篇小说(《》,1916年)的第二章。它探讨了哀悼如何既能要求确认又能要求否认;它如何影响爱与欲望。本文通过泰戈尔的象征手法审视了弗洛伊德的无意识概念;还考察了泰戈尔和弗洛伊德在其作品中对自传元素和莎士比亚的提及。因此,本文对两位上个世纪最重要的作家的文本进行了细致且并列的解读,他们的写作改变并革新了我们对人类思想和生活的看法。这样做,它为泰戈尔的中篇小说带来了新的解读,并进一步证明了弗洛伊德命题的普遍性。

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