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聆听人物传记对歌手、小提琴手和非音乐家在印度卡纳提克音乐刺激下的频率跟随反应的影响。

Effect of Listening Biographies on Frequency Following Response Responses of Vocalists, Violinists, and Non-Musicians to Indian Carnatic Music Stimuli.

作者信息

Bhat J Prajna, Krishna Rajalakshmi

机构信息

Department of Audiology, Samvaad Institute of Speech and Hearing, Bengaluru, Karnataka, India.

Department of Audiology, All India Institute of Speech and Hearing, Mysuru, Karnataka, India.

出版信息

J Audiol Otol. 2021 Jul;25(3):131-137. doi: 10.7874/jao.2021.00115. Epub 2021 Jun 30.

Abstract

BACKGROUND AND OBJECTIVES

The current study investigates pitch coding using frequency following response (FFR) among vocalists, violinists, and non-musicians for Indian Carnatic transition music stimuli and assesses whether their listening biographies strengthen their F0 neural encoding for these stimuli. Subjects and.

METHODS

Three participant groups in the age range of 18-45 years were included in the study. The first group of participants consisted of 20 trained Carnatic vocalists, the second group consisted of 13 trained violinists, and the third group consisted of 22 non-musicians. The stimuli consisted of three Indian Carnatic raga notes (/S-R2-G3/), which was sung by a trained vocalist and played by a trained violinist. For the purposes of this study, the two transitions between the notes T1=/S-R2/ and T2=/R2-G3/ were analyzed, and FFRs were recorded binaurally at 80 dB SPL using neuroscan equipment.

RESULTS

Overall average responses of the participants were generated. To assess the participants' pitch tracking to the Carnatic music stimuli, stimulus to response correlation (CC), pitch strength (PS), and pitch error (PE) were measured. Results revealed that both the vocalists and violinists had better CC and PS values with lower PE values, as compared to non-musicians, for both vocal and violin T1 and T2 transition stimuli. Between the musician groups, the vocalists were found to perform superiorly to the violinists for both vocal and violin T1 and T2 transition stimuli.

CONCLUSIONS

Listening biographies strengthened F0 neural coding, with respect to the vocalists for vocal stimulus at the brainstem level. The violinists, on the other hand, did not show such preference.

摘要

背景与目的

本研究调查了歌手、小提琴手和非音乐家在印度卡纳蒂克过渡音乐刺激下使用频率跟随反应(FFR)进行音高编码的情况,并评估他们的聆听经历是否增强了对这些刺激的基频神经编码。受试者与……

方法

研究纳入了年龄在18至45岁之间的三组参与者。第一组参与者由20名训练有素的卡纳蒂克歌手组成,第二组由13名训练有素的小提琴手组成,第三组由22名非音乐家组成。刺激材料包括三个印度卡纳蒂克拉格音符(/S - R2 - G3/),由一名训练有素的歌手演唱并用一名训练有素的小提琴手演奏。为了本研究的目的,分析了音符T1 = /S - R2/和T2 = /R2 - G3/之间的两个过渡,并使用Neuroscan设备在80 dB SPL的双耳条件下记录FFR。

结果

生成了参与者的总体平均反应。为了评估参与者对卡纳蒂克音乐刺激的音高跟踪情况,测量了刺激与反应相关性(CC)、音高强度(PS)和音高误差(PE)。结果显示,与非音乐家相比,歌手和小提琴手在声乐和小提琴T1及T2过渡刺激下,CC和PS值更好,PE值更低。在音乐家组之间,发现歌手在声乐和小提琴T1及T2过渡刺激方面的表现均优于小提琴手。

结论

聆听经历在脑干水平上增强了歌手对声乐刺激的基频神经编码。另一方面,小提琴手未表现出这种偏好。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/8964/8311057/238bfba3363d/jao-2021-00115f1.jpg

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