Suppr超能文献

“音乐无国界”:2020年新冠疫情封锁期间观众对YouTube音乐广播参与度的探索性研究

"Music Has No Borders": An Exploratory Study of Audience Engagement With YouTube Music Broadcasts During COVID-19 Lockdown, 2020.

作者信息

Fraser Trisnasari, Crooke Alexander Hew Dale, Davidson Jane W

机构信息

Faculty of Fine Arts and Music, The University of Melbourne, Melbourne, VIC, Australia.

出版信息

Front Psychol. 2021 Jul 8;12:643893. doi: 10.3389/fpsyg.2021.643893. eCollection 2021.

Abstract

This exploratory study engages with eight case studies of music performances broadcast online to investigate the role of music in facilitating social cohesion, intercultural understanding and community resilience during a time of social distancing and concomitant heightened racial tensions. Using an online ethnographic approach and thematic analysis of video comments, the nature of audience engagement with music performances broadcast via YouTube during COVID-19 lockdown of 2020 is explored through the lens of ritual engagement with media events and models of social capital. The eight case studies featured virtual choirs, orchestras and music collaborations of various genres, including classical, pop and fusion styles drawing from European, Asia Minor, South African, West African, North African, Arabic, South Asian, and East Asian cultural origins. Five overarching themes resulted from thematic analysis of video comments, including , , , , and . The paper contributes important theorisation that ritual engagement and social learning fosters intercultural understanding through engaging with music both cognitively and emotionally, which can in turn shape both individual and collective identity. Online platforms provide scope for both bonding and bridging opportunities. Community resilience is supported through the sharing of knowledge, sustaining music practice during social distancing, as well as emotional support shared among audience participants, with potential wellbeing outcomes.

摘要

这项探索性研究涉及八个在线播放的音乐表演案例研究,以调查在社交距离拉大以及随之而来的种族紧张局势加剧时期,音乐在促进社会凝聚力、跨文化理解和社区恢复力方面的作用。采用在线人种志方法并对视频评论进行主题分析,通过对媒体事件的仪式参与和社会资本模型的视角,探讨了2020年新冠疫情封锁期间观众对通过YouTube播放的音乐表演的参与性质。这八个案例研究涵盖了虚拟合唱团、管弦乐队以及各种流派的音乐合作,包括源自欧洲、小亚细亚、南非、西非、北非、阿拉伯、南亚和东亚文化渊源的古典、流行和融合风格。对视频评论的主题分析产生了五个总体主题,包括 、 、 、 和 。本文提出了重要的理论,即仪式参与和社会学习通过在认知和情感上与音乐互动来促进跨文化理解,这反过来又可以塑造个人和集体身份。在线平台为建立联系和搭建桥梁提供了空间。通过知识共享、在社交距离期间维持音乐实践以及观众参与者之间共享情感支持,社区恢复力得到了支持,并有可能产生有益健康的结果。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2e5e/8295728/b5bf65eb5151/fpsyg-12-643893-g001.jpg

文献AI研究员

20分钟写一篇综述,助力文献阅读效率提升50倍。

立即体验

用中文搜PubMed

大模型驱动的PubMed中文搜索引擎

马上搜索

文档翻译

学术文献翻译模型,支持多种主流文档格式。

立即体验