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西班牙加勒比地区一幅17世纪壁画颜料的物理和化学特性

Physical and Chemical Characterisation of the Pigments of a 17th-Century Mural Painting in the Spanish Caribbean.

作者信息

Flores-Sasso Virginia, Pérez Gloria, Ruiz-Valero Letzai, Martínez-Ramírez Sagrario, Guerrero Ana, Prieto-Vicioso Esteban

机构信息

School of Architecture and Design, Faculty of Social Sciences, Humanities and Art, Pontificia Universidad Católica Madre y Maestra (PUCMM), 2748 Santo Domingi, Dominican Republic.

Instituto de Ciencias de la Construcción Eduardo Torroja (IETcc-CSIC), 28033 Madrid, Spain.

出版信息

Materials (Basel). 2021 Nov 14;14(22):6866. doi: 10.3390/ma14226866.

DOI:10.3390/ma14226866
PMID:34832268
原文链接:https://pmc.ncbi.nlm.nih.gov/articles/PMC8619136/
Abstract

The arrival of Spaniards in the Caribbean islands introduced to the region the practice of applying pigments onto buildings. The pigments that remain on these buildings may provide data on their historical evolution and essential information for tackling restoration tasks. In this study, a 17th-century mural painting located in the Cathedral of Santo Domingo on the Hispaniola island of the Caribbean is characterised via UV-VIS-NIR, Raman and FTIR spectroscopy, XRD and SEM/EDX. The pigments are found in the older Chapel of Our Lady of Candelaria, currently Chapel of Our Lady of Mercy. The chapel was built in the 17th century by black slave brotherhood and extended by Spaniards. During a recent restoration process of the chapel, remains of mural painting appeared, which were covered by several layers of lime. Five colours were identified: ochre, green, red, blue and white. Moreover, it was determined that this mural painting was made before the end of the 18th century, because many of the materials used were no longer used after the industrialisation of painting. However, since both rutile and anatase appear as a white pigment, a restoration may have been carried out in the 20th century, and it has been painted white.

摘要

西班牙人抵达加勒比群岛后,将在建筑物上涂抹颜料的做法引入了该地区。留存于这些建筑物上的颜料或许能为其历史演变提供数据,以及为修复工作提供关键信息。在本研究中,通过紫外可见近红外光谱、拉曼光谱和傅里叶变换红外光谱、X射线衍射以及扫描电子显微镜/能谱仪,对位于加勒比海伊斯帕尼奥拉岛圣多明各大教堂内一幅17世纪的壁画进行了特征分析。这些颜料发现于较古老的坎德拉里亚圣母小教堂,即如今的怜悯圣母小教堂。该小教堂由黑奴兄弟会于17世纪建造,并由西班牙人进行了扩建。在小教堂近期的修复过程中,壁画遗迹出现了,其被数层石灰覆盖。共识别出五种颜色:赭石色、绿色、红色、蓝色和白色。此外,经判定这幅壁画创作于18世纪末之前,因为许多所使用的材料在绘画工业化之后就不再使用了。然而,由于金红石和锐钛矿均呈现为白色颜料,可能在20世纪进行过修复,且被涂成了白色。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/0239e5912e19/materials-14-06866-g007.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/9878ed26e720/materials-14-06866-g001.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/ab79c8c20732/materials-14-06866-g002.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/f99e332b0b87/materials-14-06866-g003.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/b35ab0f02603/materials-14-06866-g004.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/73a52b25b855/materials-14-06866-g005.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/6e0436e37dba/materials-14-06866-g006.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/0239e5912e19/materials-14-06866-g007.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/9878ed26e720/materials-14-06866-g001.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/ab79c8c20732/materials-14-06866-g002.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/f99e332b0b87/materials-14-06866-g003.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/b35ab0f02603/materials-14-06866-g004.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/73a52b25b855/materials-14-06866-g005.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/6e0436e37dba/materials-14-06866-g006.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2260/8619136/0239e5912e19/materials-14-06866-g007.jpg

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