Lay Trigo Sarahí, Rothwell Kimberly
CIESAS - Occidente, Guadalajara, Mexico.
Embodied Education Institute of Chicago, Chicago, USA.
Am J Dance Ther. 2022;44(1):45-72. doi: 10.1007/s10465-022-09358-1. Epub 2022 Apr 27.
Where does the seed of recovery from trauma, from illness, from injury find ground, sink roots, and start to grow? Can one find empowerment in a body, subjected to illness, trauma and disability? In this autobiographical article, the authors takes us on a journey into illness, where despair threatens her very will to live. In fact, she becomes to herself something foreign, grotesque, and completely other. And yet, hope sprouts. This work has two voices: the primary voice describes the power of dance in her healing from paralysis (hemiparesis and complete disfigurement of the face) due to viral encephalitis caused by herpes zoster (chickenpox). Sentenced not to walk again, she desperately and willfully turned to dancing to help in her recovery. It took her two years to return to formal dance classes and seven years to perform professionally again. In this article, she shares in an intimate conversation how dance can be more than an aesthetic art, and can support the process of transformational rehabilitation. The secondary voice from the co-author urges dance/movement therapists to listen carefully to direct experience, and utilize an embodied inquiry into illness and healing. Autobiographical experience offers an invitation for dance/movement therapists to further their understanding of the lived experience of rehabilitation and the psychology of illness and thereby deepen their capacity to clinically support the painful process of integration when healing does not look like a return to a level of prior functioning.
从创伤、疾病和伤痛中恢复的种子在哪里落地、生根并开始生长?一个身患疾病、遭受创伤和残疾的人能否从中获得力量?在这篇自传体文章中,作者带我们踏上了一段患病之旅,在那里,绝望威胁着她的生存意志。事实上,她在自己眼中变得陌生、怪异,完全像另一个人。然而,希望还是发芽了。这部作品有两种声音:主要声音描述了舞蹈在她从带状疱疹(水痘)引起的病毒性脑炎导致的瘫痪(偏瘫和面部完全毁容)中康复过程中的力量。被判再也无法行走后,她不顾一切、毅然决然地转向舞蹈来帮助自己康复。她花了两年时间才重新回到正规舞蹈班,又过了七年才再次进行专业表演。在本文中,她在一次亲密的交谈中分享了舞蹈如何不仅仅是一门审美艺术,还能支持转型康复过程。合著者的第二种声音敦促舞蹈/动作治疗师仔细倾听直接经验,并运用对疾病与康复的具身探究。自传体经历邀请舞蹈/动作治疗师进一步理解康复的生活体验以及疾病心理学,从而增强他们在临床层面支持整合这一痛苦过程的能力,因为康复并不意味着恢复到之前的功能水平。