Purser Aimie
School of Sociology & Social Policy, University of Nottingham, Room B38, Law & Social Sciences Building, University Park, Nottingham, NG7 2RD, UK.
J Med Humanit. 2019 Jun;40(2):253-263. doi: 10.1007/s10912-017-9502-0.
As a contribution to the burgeoning field of health humanities, this paper seeks to explore the power of dance to mitigate human suffering and reacquaint us with what it means to be human through bringing the embodied practice of dance into dialogue with the work of the French philosopher Maurice Merleau-Ponty. Merleau-Ponty's conceptualisation of subjectivity as embodied and of intersubjectivity as intercorporeality frees us from many of the constraints of Cartesian thinking and opens up a new way of thinking about how dance functions as a healing art through its ability to ground and reconnect us with self, world, and others--with our humanity. It is argued that through a Merleau-Pontian framework, we can come to appreciate the true potential of dance as a positive and deeply humanising experience, demonstrating how expressive arts practice understood through the lens of philosophical theory can open up new dimensions of understanding and experience in relation to well-being and self- (and other-) care.
作为对新兴的健康人文学科领域的一份贡献,本文旨在探讨舞蹈的力量,即通过将舞蹈的身体实践与法国哲学家莫里斯·梅洛 - 庞蒂的作品进行对话,来减轻人类的痛苦,并使我们重新认识作为人类意味着什么。梅洛 - 庞蒂将主体性概念化为具身的,将主体间性概念化为身体间性,这使我们摆脱了笛卡尔思维的许多限制,并开辟了一种新的思维方式,即思考舞蹈如何通过其使我们与自我、世界和他人重新建立联系并扎根的能力,从而作为一种治疗艺术发挥作用——与我们的人性重新建立联系。有人认为,通过梅洛 - 庞蒂的框架,我们能够开始欣赏舞蹈作为一种积极且深刻人性化体验的真正潜力,展示了从哲学理论角度理解的表现性艺术实践如何能够开启与幸福以及自我(和他人)关怀相关的理解和体验的新维度。