Technol Cult. 2022;63(2):450-457. doi: 10.1353/tech.2022.0054.
The cover image of this issue of Technology and Culture is a collage crafted from two figures in this essay. On the right side of the image is a detail of a black and white photograph from around 1900 of female silk mill workers () juxtaposed on the left with detail of a color woodblock print from 1877 depicting a mock-up of the Tomioka silk mill featured in an industrial exposition staged that year in Tokyo (). The collage was composed by reversing the two figures to create a dynamic "V" designed to draw the viewer's eye from left to right and, by implication, from the glamorized rendition of silk mill work in the woodblock print to a more real-world photograph documenting actual working conditions in a silk mill. This essay provides a socio-historical matrix for, and critical analysis of, representative visual images of sericulture and silk mills.
本期《技术与文化》的封面图像是由本文中的两个图像拼贴而成。图像的右侧是大约 1900 年的一张黑白女工照片的细节(),左侧是 1877 年的彩色木刻印刷品的细节,描绘了当年在东京举办的工业博览会上展示的富冈制丝厂模型()。拼贴画是通过反转这两个图像来制作的,形成一个动态的“V”形,旨在吸引观众的目光从左到右,并且暗示从木刻印刷品中对丝厂工作的美化呈现到更真实地记录丝厂实际工作条件的照片。本文提供了一个社会历史矩阵,并对蚕桑和丝厂的代表性视觉图像进行了批判性分析。