Institute of Human Sciences, University of Wolverhampton, United Kingdom; Elmhurst Ballet School, Birmingham, United Kingdom;, Email:
Institute of Human Sciences, University of Wolverhampton, United Kingdom.
J Dance Med Sci. 2022 Sep 15;26(3):181-190. doi: 10.12678/1089-313X.091522e. Epub 2022 Jun 15.
It is well documented that there is high prevalence of injuries in pre-professional and professional ballet dancers. Current evidence from high in quality and quantity research on in- jury prevention in sport indicates that interventions can reduce injury risks by 30% to 50%. Injury prevention research in dance is limited. The aim of this study was to assess the feasibility (adherence, fidelity, and practicality) of a randomized controlled trial for the utilization of neuromuscular training in pre-professional ballet dancers.
Methods: A convenience sample of 22 pre-professional ballet dancers were randomized into an intervention and control group. The intervention group took part in a neuromuscular-based training workout, five times per week before the ballet class, for 10 weeks. The intervention was an adaptation of the FIFA 11+, an injury prevention intervention and is called 11+ Dance. The intervention consisted of low intensity bodyweight exercises that lasted 20 to 30 minutes performed daily.
Results: Intervention adherence was 38% ± 8%, with higher participation at the beginning of the study. Attendance for post-testing was low 45% and 36% for the intervention and control group, respectively, mainly due to injury. There were no adverse effects reported, however, the participants reported delayed onset muscle soreness at the beginning of the intervention, indicating that there may be a potential training effect. Fear of muscle hypertrophy and fatigue were also reported as reasons for attrition. The repeated measures ANOVA revealed statistically non-significant differences for the countermovement jump F(1, 9) = 0.36, p = 0.564, ² = 0.04; reactive strength index F(1, 7) = 0.02, p = 0.885, ² = 0.003; and the isometric mid-thigh pull F(1, 12) = 0.002, p = 0.967, ² = 0.000.
Conclusion: The results of the study, together with the feedback from the participants, suggest that some protocol modifications are necessary for the feasibility of a randomized controlled trial in a pre-professional setting. The current trial has produced valuable information for the intervention frequency and load prescription.
有大量文献证明,专业和准专业芭蕾舞演员中普遍存在受伤情况。目前,来自高质量和大数量的运动损伤预防研究的证据表明,干预措施可以将受伤风险降低 30%至 50%。舞蹈领域的损伤预防研究有限。本研究旨在评估一项随机对照试验(RCT)利用神经肌肉训练预防准专业芭蕾舞演员受伤的可行性(依从性、保真度和实用性)。
方法:22 名准专业芭蕾舞演员被随机分为干预组和对照组。干预组在芭蕾舞课前每周参加 5 次、为期 10 周的神经肌肉基础训练。干预措施是 FIFA 11+的改编版,一种损伤预防干预措施,称为 11+Dance。干预措施包括低强度的自重练习,持续 20 至 30 分钟,每天进行。
结果:干预的依从性为 38%±8%,研究开始时参与度较高。参加后期测试的人数较少,干预组和对照组分别为 45%和 36%,主要原因是受伤。然而,参与者报告在干预开始时出现延迟性肌肉酸痛,这表明可能存在潜在的训练效果,没有出现不良反应。肌肉肥大和疲劳的恐惧也被报告为参与者流失的原因。重复测量方差分析显示,反跳跳高度 F(1,9)=0.36,p=0.564,²=0.04;反应力量指数 F(1,7)=0.02,p=0.885,²=0.003;以及等长大腿中部拉力 F(1,12)=0.002,p=0.967,²=0.000 无统计学差异。
结论:研究结果以及参与者的反馈表明,在准专业环境下进行 RCT 时需要对一些方案进行修改以提高可行性。目前的试验为干预频率和负荷处方提供了有价值的信息。