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本文引用的文献

1
The evolution of eLearning background, blends and blackboard...**电子学习背景、混合式学习和黑板的演变**……
Sci Prog. 2010;93(Pt 3):319-34. doi: 10.3184/003685010X12710124862922.

新冠疫情停课期间学校乐队的远程学习

Remote Learning in School Bands During the COVID-19 Shutdown.

作者信息

Hash Phillip M

机构信息

Illinois State University, Normal, IL, USA.

出版信息

J Res Music Educ. 2021 Jan;68(4):381-397. doi: 10.1177/0022429420967008. Epub 2020 Dec 7.

DOI:10.1177/0022429420967008
PMID:35769178
原文链接:https://pmc.ncbi.nlm.nih.gov/articles/PMC7723736/
Abstract

The global pandemic caused by the novel Coronavirus (COVID-19) in spring 2020 resulted in schools moving to remote learning (RL) models for the remainder of the academic year. The purpose of this study was to examine the practices, experiences, and perspectives of elementary and secondary school band directors in relation to RL during this period. Directors ( = 462) responded to survey questions related to several aspects of RL, including (a) technologies and materials, (b) activities and assessments, (c) student participation, (d) the challenges of teaching remotely, and (e) the extent to which experiences varied among participants in low-poverty versus high-poverty schools and at the elementary/middle school level versus high school level. I also examined (f) the conditions and practices of programs that experienced both high and consistent levels of student participation. Data indicated that the COVID-19 shutdown created many challenges for directors, particularly in schools with higher poverty levels and/or in rural locations. However, RL also created opportunities for instrumental teachers to incorporate into curricula (a) a wider range of technology; (b) more of a focus on individual musicianship; (c) lessons in music theory, history, and culture; and to a lesser extent, (d) student creativity through composition and arranging.

摘要

2020年春季由新型冠状病毒(COVID-19)引发的全球大流行导致学校在该学年剩余时间转向远程学习(RL)模式。本研究的目的是考察中小学乐队指导教师在此期间与远程学习相关的实践、经历和观点。指导教师(n = 462)回答了与远程学习几个方面相关的调查问题,包括(a)技术和材料,(b)活动和评估,(c)学生参与度,(d)远程教学的挑战,以及(e)低贫困学校与高贫困学校、小学/初中水平与高中水平的参与者之间经历的差异程度。我还考察了(f)学生参与度高且持续的项目的条件和实践。数据表明,COVID-19疫情封锁给指导教师带来了诸多挑战,尤其是在贫困程度较高的学校和/或农村地区。然而,远程学习也为器乐教师创造了机会,将以下内容纳入课程:(a)更广泛的技术;(b)更多地关注个人音乐素养;(c)音乐理论、历史和文化课程;以及在较小程度上,(d)通过作曲和编曲培养学生创造力。