Schiavio Andrea, Nijs Luc
Centre for Systematic Musicology, University of Graz, Graz, Austria.
Institute of Psychoacoustics and Electronic Music (IPEM), Department of Art, Music, and Theatre Sciences, Ghent University, Ghent, Belgium.
Front Psychol. 2022 May 20;13:899381. doi: 10.3389/fpsyg.2022.899381. eCollection 2022.
In a newly designed collaborative online music course, four musical novices unknown to each other learned to play the clarinet starting from zero. Over the course of 12 lessons, a special emphasis was placed on creativity, mutual interaction, and bodily movement. Although addressing these dimensions might be particularly challenging in distance learning contexts, a thematic analysis of semi-structured interviews with the learners revealed how the teaching approach proposed has generally facilitated learning. Qualitative findings highlight the importance of establishing meaningful relationships with the musical instrument as well as with other students to build musicality, and of the interplay between creativity and control in individual and collective music-making activities. We suggest that remote music tuition with a small group can be a valuable resource to start learning music and that a creative, collaborative, and movement-based approach can contribute to musical growth.
在一门新设计的在线协作音乐课程中,四名互不相识的音乐新手从零开始学习单簧管。在12节课程中,特别强调了创造力、相互互动和身体运动。尽管在远程学习环境中处理这些方面可能特别具有挑战性,但对学习者进行的半结构化访谈的主题分析揭示了所提出的教学方法总体上是如何促进学习的。定性研究结果强调了与乐器以及与其他学生建立有意义的关系以培养音乐素养的重要性,以及在个人和集体音乐制作活动中创造力与控制之间的相互作用。我们建议,与一小群人进行远程音乐教学可以成为开始学习音乐的宝贵资源,并且基于创造力、协作和运动的方法可以促进音乐成长。