Beirnes Sean, Randles Clint
Palm Beach County School District, USA.
University of South Florida, USA.
Int J Music Educ. 2023 Feb;41(1):69-83. doi: 10.1177/02557614221091829. Epub 2022 Apr 20.
The purpose of this co-autoethnographic qualitative case study was to chronicle the experiences of the first author as he taught general music in a blended, face-to-face, and online synchronous, environment during the COVID-19 pandemic. The co-autoethnography conveys a voice of a practicing teacher with advice and wisdom gained from living and working through the technological aspects of teaching and learning in a blended environment for practicing music teachers. His experiences chronicle how technology was used as a vehicle for amplifying the experiences of students and empowering them to creativities not possible before the pandemic. Implications for music education include exploring the stories of the lived experiences of teachers who taught through the pandemic with a focus on the possibilities and potentialities for profound change mediated by technology, learner-centered pedagogy, and creativities in practice.
这项合作自我民族志定性案例研究的目的是记录第一作者在新冠疫情期间,在混合式、面对面和在线同步环境中教授普通音乐的经历。这种合作自我民族志传达了一位在职教师的声音,其中包含了在混合式环境中进行音乐教学和学习的技术层面的生活与工作中所获得的建议和智慧。他的经历记录了技术如何作为一种工具,增强学生的体验,并使他们能够发挥出疫情之前所无法实现的创造力。对音乐教育的启示包括探索在疫情期间授课的教师的生活经历故事,重点关注由技术、以学习者为中心的教学法和实践中的创造力所介导的深刻变革的可能性和潜力。