Michałko Aleksandra, Di Stefano Nicola, Campo Adriaan, Leman Marc
Faculty of Arts and Philosophy, IPEM Institute of Psychoacoustics and Electronic Music, Ghent University, Ghent, Belgium.
Institute of Cognitive Sciences and Technologies, National Research Council of Italy (CNR), Rome, Italy.
Front Psychol. 2024 Mar 7;15:1327992. doi: 10.3389/fpsyg.2024.1327992. eCollection 2024.
In this perspective paper, we explore the use of haptic feedback to enhance human-human interaction during musical tasks. We start by providing an overview of the theoretical foundation that underpins our approach, which is rooted in the embodied music cognition framework, and by briefly presenting the concepts of action-perception loop, sensorimotor coupling and entrainment. Thereafter, we focus on the role of haptic information in music playing and we discuss the use of wearable technologies, namely lightweight exoskeletons, for the exchange of haptic information between humans. We present two experimental scenarios in which the effectiveness of this technology for enhancing musical interaction and learning might be validated. Finally, we briefly discuss some of the theoretical and pedagogical implications of the use of technologies for haptic communication in musical contexts, while also addressing the potential barriers to the widespread adoption of exoskeletons in such contexts.
在这篇观点论文中，我们探讨了如何利用触觉反馈来增强音乐任务中的人际互动。我们首先概述了支撑我们方法的理论基础，该基础植根于具身音乐认知框架，并简要介绍了动作-感知循环、感觉运动耦合和同步的概念。此后，我们关注触觉信息在音乐演奏中的作用，并讨论了可穿戴技术，即轻型外骨骼，在人与人之间触觉信息交换中的应用。我们提出了两个实验场景，在其中可以验证该技术在增强音乐互动和学习方面的有效性。最后，我们简要讨论了在音乐情境中使用触觉通信技术的一些理论和教学意义，同时也探讨了在这种情境下广泛采用外骨骼的潜在障碍。
