Fan Judith E, Bainbridge Wilma A, Chamberlain Rebecca, Wammes Jeffrey D
Department of Psychology, University of California, San Diego, La Jolla, CA, USA.
Department of Psychology, Stanford University, Stanford, CA, USA.
Nat Rev Psychol. 2023 Sep;2(9):556-568. doi: 10.1038/s44159-023-00212-w. Epub 2023 Jul 17.
Drawing is a cognitive tool that makes the invisible contents of mental life visible. Humans use this tool to produce a remarkable variety of pictures, from realistic portraits to schematic diagrams. Despite this variety and the prevalence of drawn images, the psychological mechanisms that enable drawings to be so versatile have yet to be fully explored. In this Review, we synthesize contemporary work in multiple areas of psychology, computer science and neuroscience that examines the cognitive processes involved in drawing production and comprehension. This body of findings suggests that the balance of contributions from perception, memory and social inference during drawing production varies depending on the situation, resulting in some drawings that are more realistic and other drawings that are more abstract. We also consider the use of drawings as a research tool for investigating various aspects of cognition, as well as the role that drawing has in facilitating learning and communication. Taken together, information about how drawings are used in different contexts illuminates the central role of visually grounded abstractions in human thought and behaviour.
绘画是一种认知工具,它能使精神生活中无形的内容变得可见。人类利用这一工具创作出种类繁多的画作,从写实肖像到示意图。尽管画作种类多样且随处可见,但使绘画具有如此多功能性的心理机制尚未得到充分探索。在本综述中,我们综合了心理学、计算机科学和神经科学多个领域的当代研究成果,这些研究探讨了绘画创作和理解过程中涉及的认知过程。这一系列研究结果表明,绘画创作过程中感知、记忆和社会推理的贡献平衡因情况而异,从而产生了一些更写实的画作和其他更抽象的画作。我们还考虑了将绘画用作研究认知各个方面的工具,以及绘画在促进学习和交流方面所起的作用。综合来看,关于绘画在不同情境中如何使用的信息揭示了基于视觉的抽象在人类思维和行为中的核心作用。