Iosa Marco, Lucia Maria Pia, Salera Claudia
Department of Psychology, Sapienza University of Rome, Rome, Italy.
SmArt Lab, IRCCS Santa Lucia Foundation, Rome, Italy.
Eur J Neurosci. 2025 Apr;61(8):e70119. doi: 10.1111/ejn.70119.
In the 1970s, the psychologist J.J. Gibson developed an "ecological approach to visual perception", suggesting that humans perceive the environment exploiting environmental affordances-surrounding invariant features that define possible individuals-object interactions-without top-down mediation of cognitive processes. Shepard extended this approach, suggesting that common environmental features are internalized defining perceptual constraints, such as the circadian rhythm, three-dimensional space, and gravity. In this perspective review, we apply these concepts to neuroaesthetics and beauty perception, discussing how the internalization of invariants may influence our perception of beauty. Within this framework, special emphasis was placed on symmetry and golden ratio, typically considered as two benchmarks for beauty, and two geometrical features that can be considered as environmental affordances. Moreover, we suggest that kinetic aspects play a role in beauty perception of these proportions, particularly by the internal model of gravity.
20世纪70年代,心理学家J.J.吉布森提出了一种“视觉感知的生态方法”,认为人类通过利用环境可供性来感知环境——环境中不变的特征定义了可能的个体与物体之间的相互作用,而无需认知过程的自上而下的调节。谢泼德扩展了这种方法,认为常见的环境特征被内化,从而定义了感知约束,如昼夜节律、三维空间和重力。在这篇观点综述中,我们将这些概念应用于神经美学和美感感知,讨论不变量的内化如何可能影响我们对美的感知。在此框架内,特别强调了对称性和黄金比例,它们通常被视为美的两个基准,也是可以被视为环境可供性的两个几何特征。此外,我们认为动态方面在这些比例的美感感知中发挥作用,特别是通过重力的内部模型。