McNeely-White Katherine L, Cleary Anne M
Department of Neurology, University of California, Davis, 3160 Folsom Blvd, Sacramento, CA, 95816, USA.
Department of Psychology, Colorado State University, Fort Collins, CO, 80523, USA.
Mem Cognit. 2025 Apr 29. doi: 10.3758/s13421-025-01716-x.
Déjà vu-the strange, inexplicable sensation that a current situation has been experienced before-is often accompanied by an illusory feeling of knowing regarding what is about to happen next. Studies have shown that when déjà vu occurs during virtual tours of scenes, an illusory sense of being able to predict the direction of the next turn frequently accompanies it. The present study examined whether a similar illusory sense of prediction might also accompany the auditory analog of déjà vu known as déjà entendu. Participants heard simple piano pieces, some of which had been experimentally familiarized through previous exposure to some of their features (e.g., isolated rhythm). Upon stopping each piano piece, participants made a familiarity judgment, a déjà entendu judgment, a feeling-of-prediction judgment, a prediction regarding the likely characteristics of the next note, and finally, an identification attempt. In Experiment 1, the prediction judgments were about the contour of the proceeding note (will ascend vs. descend in pitch). In Experiment 2, prediction judgments were about the location of the next note (left vs. right speaker), which was randomly predetermined and therefore unpredictable. Déjà entendu reports were significantly more likely to be accompanied by a feeling of prediction for the proceeding note's contour or location. However, these feelings were illusory, as participants did not show above-chance prediction accuracy in Experiment 1 concerning song contour, and predicting the proceeding note's location was not possible in Experiment 2.
即视感——那种觉得当前情境曾经历过的奇怪、无法解释的感觉——常常伴随着一种对接下来即将发生之事的虚幻的知晓感。研究表明,当在场景的虚拟游览中出现即视现象时,常常会伴随着一种能够预测下一个转弯方向的虚幻感觉。本研究考察了一种类似的虚幻预测感是否也会伴随着被称为“似曾听闻”的即视感的听觉类似物出现。参与者聆听简单的钢琴曲,其中一些曲子通过之前对其某些特征(如孤立的节奏)的接触在实验中变得熟悉。每首钢琴曲停止后,参与者要做出熟悉度判断、似曾听闻判断、预测感判断、对下一个音符可能特征的预测,最后还要进行识别尝试。在实验1中,预测判断是关于即将出现的音符的轮廓(音高会上升还是下降)。在实验2中,预测判断是关于下一个音符的位置(左扬声器还是右扬声器),其位置是随机预先确定的,因此无法预测。似曾听闻的报告显著更有可能伴随着对即将出现的音符轮廓或位置的预测感。然而,这些感觉是虚幻的,因为在实验1中参与者在关于曲调轮廓方面并未表现出高于随机水平的预测准确性,并且在实验2中无法预测即将出现的音符的位置。