Twitchell A J, Journault A-A, Singh K K, Jamieson J P
Independent Researcher, Florianopolis, Brazil.
Department of Psychology, University of Rochester, Rochester, NY, United States.
Front Psychol. 2025 Apr 16;16:1576391. doi: 10.3389/fpsyg.2025.1576391. eCollection 2025.
Music performance anxiety (MPA) is a widespread challenge among musicians, often impairing performance quality and well-being. While traditionally conceptualized as a debilitating condition, recent research suggests that MPA can have both facilitative and detrimental effects, depending on how it is appraised and regulated. This paper reviews theoretical stress models relevant to MPA, emphasizing frameworks such as stress optimization and synergistic mindsets that help reframe anxiety as a potential resource. By integrating insights from affective science and stress research, this review highlights the need for a more nuanced approach to MPA-one that moves beyond symptom reduction to foster adaptive responses that enhance musical performance. Future research should continue exploring personalized and flexible interventions that equip musicians with the tools to navigate evaluative pressure effectively.
音乐表演焦虑(MPA)是音乐家们普遍面临的一项挑战,常常会影响表演质量和身心健康。虽然传统上被视为一种使人衰弱的状况,但最近的研究表明,根据对它的评估和调节方式,MPA可能既有促进作用,也有不利影响。本文回顾了与MPA相关的理论压力模型,重点强调了诸如压力优化和协同心态等框架,这些框架有助于将焦虑重新构建为一种潜在资源。通过整合情感科学和压力研究的见解,本综述强调了对MPA需要采取更细致入微的方法——一种超越症状减轻,以培养增强音乐表演的适应性反应的方法。未来的研究应继续探索个性化和灵活的干预措施,为音乐家们提供有效应对评估压力的工具。