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音乐感知与大脑不对称性。

Music perception and cerebral asymmetries.

作者信息

Gates A, Bradshaw J L

出版信息

Cortex. 1977 Dec;13(4):390-401. doi: 10.1016/s0010-9452(77)80020-8.

Abstract

Six experiments investigated the detection of pitch, rhythm and harmony changes in music perception. While RTs did not differentiate between ears for detecting a changed note in either a single line melody or a five note whole tone sequence, the right ear was more accurate. The left ear was faster, and the right more accurate in detecting rhythm changes in a five note sequence. The ears did not differ in detecting harmony changes. Finally, the right ear proved consistently more sensitive (d') in recognizing excerpts from unfamiliar melodies, and except only for female nonmusicians, the left ear was more sensitive for familiar melodies. If the adoption of differintial listening strategies determines the direction of laterality differences such as these, then familiarity also seems important in determining listening strategies.

摘要

六项实验研究了音乐感知中音调、节奏与和声变化的检测情况。在检测单旋律或五音全音序列中音符的变化时,双耳的反应时间没有差异,但右耳的准确性更高。在检测五音序列中的节奏变化时,左耳反应更快,右耳更准确。在检测和声变化时,双耳没有差异。最后,在识别不熟悉旋律的片段时,右耳始终表现出更高的敏感性(d'),除了女性非音乐家外,左耳对熟悉旋律更敏感。如果采用不同的聆听策略决定了此类偏侧性差异的方向,那么熟悉度在决定聆听策略方面似乎也很重要。

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