Halpern A R, Kwak S, Bartlett J C, Dowling W J
Department of Psychology, Bucknell University, Lewisburg, Pennsylvania 17837, USA.
Psychol Aging. 1996 Jun;11(2):235-46. doi: 10.1037//0882-7974.11.2.235.
Two experiments explored the representation of the tonal hierarchy in Western music among older (aged 60 to 80) and younger (aged 15 to 22) musicians and nonmusicians. A probe tone technique was used: 4 notes from the major triad were presented, followed by 1 note chosen from the 12 notes of the chromatic scale. Whereas musicians had a better sense of the tonal hierarchy than nonmusicians, older adults were no worse than younger adults in differentiating the notes according to musical principles. However, older adults were more prone than younger adults to classify the notes by frequency proximity (pitch height) when proximity was made more salient, as were nonmusicians compared with musicians. With notes having ambiguous pitch height, pitch height effects disappeared among older adults but not nonmusicians. Older adults seem to have internalized tonal structure, but they sometimes fail to inhibit less musically relevant information.
两项实验探究了老年(60至80岁)和年轻(15至22岁)音乐家及非音乐家对西方音乐中音调层次的表征。采用了探测音技术:呈现大三和弦中的4个音符,然后从半音音阶的12个音符中选择1个音符。虽然音乐家比非音乐家对音调层次有更好的感知,但在根据音乐原则区分音符方面,老年人并不比年轻人差。然而,当接近度更显著时,老年人比年轻人更倾向于根据频率接近度(音高)对音符进行分类,非音乐家与音乐家相比也是如此。对于音高不明确的音符,音高效应在老年人中消失了,但在非音乐家中没有消失。老年人似乎已经内化了音调结构,但他们有时无法抑制与音乐相关性较低的信息。